This dissertation, Grand Fugue for Orchestra by Eunjoo Lee with Analysis consists of two parts. The first part, the analysis of the composition is divided into two sections with a formal analysis of the composition and its structure based on pitch pro...
This dissertation, Grand Fugue for Orchestra by Eunjoo Lee with Analysis consists of two parts. The first part, the analysis of the composition is divided into two sections with a formal analysis of the composition and its structure based on pitch progression. The second part, the Grand Fugue for Orchestra is a composition of medium sized orchestra in one movement lasting approximately 15 minutes.
The primary object of composing the Grand Fugue is an improvement of the concept in regard to linear, horizontal, and harmonic relationships of traditional Fugue.
Traditional Fugue has had three basic drawbacks:
(1) The relationship between Subject and Answer resulting from functional harmony was imperfect because the real Answer changes tonality and the tonal Answer transforms melodic line;
(2) There is lack of relationship between pitch and rhythmic concept in the Subject; and
(3) The Subject of the traditional Fugue is basically monophonic despite of its polyphonic texture.
In order to remedy those three defects in the traditional Fugue, this Grand Fugue for Orchestra has taken the following new alternatives:
(1) New complementary relationship is developed between the Subject and Answer in twelve-tone theory;
(2) Pitch function is applied to rhythmic organization; and
(3) Subject is constructed polyphonically.
The theory which is used in this composition should not be limited to the present composition only, but also can be served as a generalized theory applicable to any fugal composition with twelve-tone.
This Grand Fugue for Orchestra attempts to remedy drawbacks exsisting in the traditional Fugue with the payment of special attention to maintaining the basic principle and theory found in the Fugue and to develop Fugue for twentieth century based upon twelve-tone theory.