This paper is to analyze the androgynous heroism of the “I” in the epic of The Prelude. The Prelude as an epic and the “I” as a hero have often been considered innovative rather than traditional; the story is about a poet’s spiritual journey...
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https://www.riss.kr/link?id=A103951888
박현경 (남서울대학교)
2010
English
Wordsworth ; The Prelude ; Epic ; Poet ; Hero ; Androgyny ; 워즈워스 ; 『서곡』 ; 서사시 ; 시인 ; 영웅 ; 양성성 ; Wordsworth ; The Prelude ; Epic ; Poet ; Hero ; Androgyny/
KCI등재
학술저널
149-166(18쪽)
0
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This paper is to analyze the androgynous heroism of the “I” in the epic of The Prelude. The Prelude as an epic and the “I” as a hero have often been considered innovative rather than traditional; the story is about a poet’s spiritual journey...
This paper is to analyze the androgynous heroism of the “I” in the epic of The Prelude. The Prelude as an epic and the “I” as a hero have often been considered innovative rather than traditional; the story is about a poet’s spiritual journey and the heroism involves inner qualities than martial strength. However, as far as androgyny in heroism is concerned, The Prelude has similar traits to those of some traditional epics. The heroes of The Aeneid, The Divine Comedy, and Paradise Lost show several different or dissonant traits to masculine or male-centered heroism they reveal hesitative, inner, or passive qualities, which are usually condemned as feminine temper to hamper masculine heroic achievement. Yet, these qualities were ultimately proven to be supplementary or alternative to masculine heroism, enabling heroes to perfect their personalities and performance.
The Prelude has been often criticized for Wordsworth’s typical distinction of nature from imagination, and the feminization of the former as well as the masculinization of the latter. These gendered opposites, however, were challenged, inverted, and even subverted by Wordsworth himself through the “I”’s quest for the heroic achievement, the growth of a poet’s mind. To become a poet speaking to all human beings, the “I” himself has to overcome his presupposition of femininity and masculinity and to achieve a capacious androgynous soul. Presenting an androgynous poet “I” as an epic hero, Wordsworth shows a poet’s heroism and its validity, and unacknowledgedly acknowledges the absolute necessity of femininity in heroic achievement. As the “I”’s androgyny generally focuses on the unification of polarized gendered qualities, it ultimately desires the synthesis and the harmony of other opposites, such as physical and spiritual, inner and outer, and individual and communal, which makes The Prelude both a traditional and innovative epic.
참고문헌 (Reference)
1 박현경, "윌리엄 워즈워스의『서곡』에 나타난 서사시의 관행과 문학적 전통" 한국중앙영어영문학회 49 (49): 123-136, 2007
2 손현, "워즈워스와 어머니에 대한 욕망: 주체성의 전략으로 읽기" 한국영미문학페미니즘학회 10 (10): 105-136, 2002
3 박현경, "『오로라 리』에 나타난 서사시의 양성적 영웅의 자질" 한국현대영어영문학회 53 (53): 119-138, 2009
4 Homans,Margaret, "Women Writers and Poetic Identity" Princeton UP 1980
5 Wordsworth, Jonathan, "William Wordsworth and the Age of English Romanticism" Rutgers UP 1987
6 Heilbrun, Carolyn G, "Toward a Recognition of Androgyny" New York 1982
7 Wordsworth, William, "The Prelude. Ed. J. C" Yale UP 1981
8 Merchant,Paul, "The Epic" Metuhen 1971
9 Bakhtin, Mikhail, "The Dialogic Imagination: Four Essays" U of Texas P 1981
10 Milton, John, "The Complete Poems" Penguin 1998
1 박현경, "윌리엄 워즈워스의『서곡』에 나타난 서사시의 관행과 문학적 전통" 한국중앙영어영문학회 49 (49): 123-136, 2007
2 손현, "워즈워스와 어머니에 대한 욕망: 주체성의 전략으로 읽기" 한국영미문학페미니즘학회 10 (10): 105-136, 2002
3 박현경, "『오로라 리』에 나타난 서사시의 양성적 영웅의 자질" 한국현대영어영문학회 53 (53): 119-138, 2009
4 Homans,Margaret, "Women Writers and Poetic Identity" Princeton UP 1980
5 Wordsworth, Jonathan, "William Wordsworth and the Age of English Romanticism" Rutgers UP 1987
6 Heilbrun, Carolyn G, "Toward a Recognition of Androgyny" New York 1982
7 Wordsworth, William, "The Prelude. Ed. J. C" Yale UP 1981
8 Merchant,Paul, "The Epic" Metuhen 1971
9 Bakhtin, Mikhail, "The Dialogic Imagination: Four Essays" U of Texas P 1981
10 Milton, John, "The Complete Poems" Penguin 1998
11 Coleridge, S. T, "Table Talk (2 vols)" Princeton UP 1990
12 Stevenson,Warren, "Romanticism and the Androgynous Sublime" Associated UP 1996
13 Mellor,Anne K, "Romanticism & Gender" Routledge 1993
14 Ross, Marlon B, "Romantic Quest and Conquest: Troping Masculine Power in the Crisis of Poetic Identity. in Romanticism and Feminism" Indiana UP 26-51, 1988
15 Koeber,Karl, "Romantic Narrative Art" The U of Wisconsin P 1960
16 Hoeveler,Diane Long, "Romantic Androgyny:The Women Within" The Pennsylvania State UP 1990
17 Mellor, Anne K, "On Romanticism and Feminism. in Romanticism and Feminism" Indiana UP 3-9, 1988
18 Wolfson, Susan J, "Individual in Community: Dorothy Wordsworth in Conversation with William. in Romanticism and Feminism" Indiana UP 139-166, 1988
19 Cox,Philip, "Gender,Genre and the Romantic Poet" Manchester UP 1996
20 Rose,Mary Beth, "Gender and Heroism in Early Modern English" U of Chicago P 2002
21 Woolf, Virginia, "A Room of One’s Own" Harcourt 1957
22 박현경, "<서곡>, <해방된 프로메테우스>, <오로라 리>에 나타난 양성성 연구" 이화여자대학교 2009
초등 영어체험교실 운영 실태 분석을 통한 활성화 방안 모색
Ovidian Narrative and Shakespeare’s Subversion of the Genre
한국어 화자의 영어분절음 길이에 대한 음향적 분석: 한국학생과 미국학생의 비교
Changes in the Representation of Heroines: Australian Women’s Writings from the 1880s~1990s
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
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2026 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2020-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2017-01-01 | 평가 | 등재학술지 유지 (계속평가) | |
2013-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2010-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2007-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
2006-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2004-01-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.45 | 0.45 | 0.45 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.4 | 0.38 | 0.67 | 0.23 |