마리 뷔그만의 표현춤〈Hexentanz Ⅱ; 마녀의 춤 Ⅱ〉에 나타나는 도펠갱어(Doppelganger; 이중자아) 모티브 연구 = Study of a doppelganger motif in Mary Wigman’s 〈Hexentanz Ⅱ〉

다국어 초록 (Multilingual Abstract)

This study is aimed to examine a doppelganger motif in 〈Hexentanz Ⅱ〉, the seminal work of Mary Wigman who is renowned as the founder of Ausdruckstanz (expressive dance) as well as to analyze its symbolic elements in her representative work. In the begin of Twentieth Century the doppelganger motif was a popular theme of depicting the conflict between external and internal motions and psyche in German expressionism. A mask, a mirror, and a witch figure in 〈Hexentanz Ⅱ〉 exemplify that Wigman’s work is profoundly influenced by the expressionism. By analyzing a video and her own writings, we show that the doppelganger motif serves as expressing an inner motion of the self. In 〈Hexentanz Ⅱ〉 she can realize her search for the true self through a magic transformation and complete the form and content of a new modern dance.

목차 (Table of Contents)

• Abstract
• Ⅰ. 서론
• Ⅱ. 도펠갱어(이중자아)의 개념과 상징적 의미
• Ⅲ. 〈Hexentanz〉의 창작배경과 영상분석
• Ⅳ. 〈Hexentanz Ⅱ〉의 창작 배경과 영상분석에서 나타난 〈도펠갱어〉의 상징적 요소와 춤의 특징
• Ⅴ. 결론
• 참고문헌