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      Adorno and Critical Perspectives on the Culture Industry and Film

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      https://www.riss.kr/link?id=A104839921

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      다국어 초록 (Multilingual Abstract)

      Adorno's theory of the culture industry constitutes one of the most comprehensive critical perspectives on the mass media in contemporary society. He sees film as a component of the culture industry. Adorno develops the pessimism about modern culture ...

      Adorno's theory of the culture industry constitutes one of the most comprehensive critical perspectives on the mass media in contemporary society. He sees film as a component of the culture industry. Adorno develops the pessimism about modern culture and film, displaying the aspects of reification in the discussion of the culture industry. For him,reification is ultimately considered "identifying thought" in order to conform to the status quo. By reification, he discloses the transformation of culture into the industrial culture. This paper attempts to examine Adorno's argument on the essence of the film medium in his critique of the culture industry. Furthermore, this paper tries to put some questions in order to rethink Adorno's perspective on film.

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      참고문헌 (Reference)

      1 Adorno, T. W., "Transparencies on Film, In The Culture Industry, Selected Essays on Mass Culture" Routledge 154-161, 1991

      2 Sarris, A., "The Primal Screen : Essays on Film and Related Subjects" Simon and Schuster 1973

      3 Wasko, J., "The Political Economy of the American Film Industry" 135-153, 1981

      4 Lull, J., "The Freedom to Have Fun, In China Turned On: Television, Reform, and Resistance" Routledge 127-153, 1991

      5 Horkheimer, M., "The Authoritarian State" 15 : 3-24, 1973

      6 Sarris, A., "The American Cinema : Directors and Directions, 1929- 1968" Dutton 1968

      7 Burt, R., "The Administration of Aesthetics" University of Minnesota Press 1994

      8 Adorno, T. W., "Television and the Pattern of Mass Culture, In Television: the Critical View" Oxford University Press 239-259, 1976

      9 Fiske, J., "Television : Polysemy and Popularity, In Critical Perspectives on Media and Society" The Guilford Press 346-364, 1991

      10 Adorno, T. W., "Scientific Experience of a European Scholar in America, In The Intellectual Migration : Europe and America, 1930-1960" Belknap Press of Harvard University 338-370, 1969

      1 Adorno, T. W., "Transparencies on Film, In The Culture Industry, Selected Essays on Mass Culture" Routledge 154-161, 1991

      2 Sarris, A., "The Primal Screen : Essays on Film and Related Subjects" Simon and Schuster 1973

      3 Wasko, J., "The Political Economy of the American Film Industry" 135-153, 1981

      4 Lull, J., "The Freedom to Have Fun, In China Turned On: Television, Reform, and Resistance" Routledge 127-153, 1991

      5 Horkheimer, M., "The Authoritarian State" 15 : 3-24, 1973

      6 Sarris, A., "The American Cinema : Directors and Directions, 1929- 1968" Dutton 1968

      7 Burt, R., "The Administration of Aesthetics" University of Minnesota Press 1994

      8 Adorno, T. W., "Television and the Pattern of Mass Culture, In Television: the Critical View" Oxford University Press 239-259, 1976

      9 Fiske, J., "Television : Polysemy and Popularity, In Critical Perspectives on Media and Society" The Guilford Press 346-364, 1991

      10 Adorno, T. W., "Scientific Experience of a European Scholar in America, In The Intellectual Migration : Europe and America, 1930-1960" Belknap Press of Harvard University 338-370, 1969

      11 Radway, J., "Reading the Romance" University of North Carolina Press 1991

      12 Morley, D., "Part 1 : Theoretical Frameworks. Television, Audience and Cultural Studies" Routledge 43-71, 1992

      13 Adorno, T. W., "On the Fetish Character in Music and the Regression of Listening, In The Essential Frankfurt School Reader" Continuum 270-299, 1982

      14 Adorno, T. W., "On Popular Culture" 9 : 17-48, 1941

      15 Adorno, T. W., "Negative Dialectics" Continuum 1973

      16 Rose, G., "Melancholy Science : An Introduction to the Thought of Theodor W. Adorno" Macmillan 1978

      17 Ridless, R., "Ideology and Art" Peter Lang 1984

      18 Anderson, C., "Hollywood TV : the Studio System in the Fifties" University of Texas Press 1994

      19 Maltby, R., "Hollywood Cinema" Blackwell Publishers 1995

      20 Lukacs, G., "History and Class Consciousness" MIT Press 1971

      21 Feuer, J., "Genre Study and Television, In Channels of Discourse, Reassembled" University of North Carolina Press 1992

      22 Hall, S., "Encoding, Decoding, In The Cultural Studies Reader" Routledge 90-103, 1993

      23 Klinger, B., "Digressions at the Cinema : Commodification and Reception in Mass Culture, In Modernity and Mass Culture" Indiana University Press 117-134, 1991

      24 Adorno, T. W., "Dialectic of Enlightenment" Herder and Herder 1972

      25 Adorno, T. W., "Culture Industry Reconsidered, In The Culture Industry, Selected Essays on Mass Culture" Routledge 85-92, 1991

      26 Fejes, F., "Critical mass communication research and media effects : The problem of the disappearing audience" 6 : 219-232, 1984

      27 Waldman, D., "Critical Theory and Film : Adorno and "The Culture Industry" Revisited" New German Critique 39-60, 1977

      28 Eisler, H., "Composing for the Films" Books for Libraries Press 1947

      29 Smith, P., "Clint Eastwood : A Cultural Production" University of Minnesota Press 1993

      30 Marx, K., "Capital III" International Publishers 1967

      31 Marx, K., "Capital I" Vintage Books 1976

      32 Curtin, M., "Bad Girls on the Bird : Feminine Desire in the Age of Satellite Television"

      33 Tulloch, J., "Australian Cinema : Industry, Narrative, and Meaning" Allen & Unwin 1982

      34 Roberts, D., "Art and Enlightenment : Aesthetic Theory after Adorno" University of Nebraska Press 1991

      35 Jay, M., "Adorno" Harvard University Press 1984

      36 Zoonen, L. V., "A New Paradigm?, In Feminist Media Studies" Sage 29-42, 1994

      37 Bottomore, T., "A Dictionary of Marxist Thought" Harvard University Press 1983

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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.19 0.19 0.19
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      0.18 0.26 0.462 0
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