冯小刚电影《天下无贼》中的佛教思想 = Buddhist Thoughts in Feng Xiaogang's Film A World Without Thieves

다국어 초록 (Multilingual Abstract)

Director Feng Xiaogang’s film A World Without Thieves is the first Chinese film that successfully borrows from the Hollywood melodrama model and combines marketability and commercialism with Buddhist elements. Moreover, it is a film with the small potato and ordinary people as the subject of salvation, which is universal. The film falls into the broad perspective of integrating Buddhist thoughts into the contemporary social context as a Buddhist film with realistic themes. The film is filled with various Buddhist symbols such as Buddha statues, Xiang Mo Chu, rituals, and Labrang Monastery. This paper takes the film “A World Without Thieves” as the object of study, and examines the Buddhist thoughts embodied in the film from the theme，characters and architecture.
The theme of the film connotes the good and evil ethics of Buddhism, the idea of meditation, the concept of life and other Buddhist thoughts. The main characters Wang Bo, Wang Li and Sha Gen show the Buddhist thoughts of “tathagata-garbha”, “punitive justice”, “giving” and “animal concept” etc. The background image of the film’s title is a fresco from the south wall of Cave 57 in the Mogao Caves at Dunhuang. The background image features Amitabha Buddha, Arya Avalokiteshvara, Mahasthamaprapta, and two disciples, one old and one young. Among them, Amitabha Buddha is in charge of the Western Paradise, while Arya Avalokiteshvara and Mahasthamaprapta embody the Buddhist idea of the Four Unlimited Hearts. Moreover, as an important filming location of the movie, Labrang Monastery, the “Jacob’s Ladder” scene shown in the movie can reflect the spatial view of Buddhism, and the mandala pattern on the Buddhist temple can reflect the cosmic view of Buddhism. The Buddhist thoughts in the movie can not only enlighten the characters in the movie, but also enlighten the movie viewers, with practical and social significance.

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