This research chose works that can be verified about the application of ‘security’ among Chinese poems left by poets from the Seokbuk Shin Gwang-su’s family to explore its literary processing method, way of realization, and art historical contex...

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https://www.riss.kr/link?id=A100091766
2014
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신광수 ; 申光洙 ; 신광연 ; 申光淵 ; 신광하 ; 申光河 ; 신우상 ; 申禹相 ; 아속 ; 雅俗 ; 속문학 ; 俗文學 ; 통속화 ; 通俗化 ; 염정 ; 艶情 ; 풍류 ; 風流 ; 미의식 ; grace-secularity ; Chinese poems ; Shin Gwang-su ; popular literature ; popularization ; romantic feelings ; taste for the art ; aesthetic sense
800
KCI등재
학술저널
205-237(33쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This research chose works that can be verified about the application of ‘security’ among Chinese poems left by poets from the Seokbuk Shin Gwang-su’s family to explore its literary processing method, way of realization, and art historical contex...
This research chose works that can be verified about the application of ‘security’ among Chinese poems left by poets from the Seokbuk Shin Gwang-su’s family to explore its literary processing method, way of realization, and art historical context. In the first chapter, changing the society’s subject_‘popularization of literature’, discussion of grace-secularity was used as the tool for analysis. By doing so, ‘people’s life contrasted with the upper class and vulgar sentiment desired by the common crowd’ were set as the concept of ‘secularity’. In the second chapter, components of secularity notable in Chinese poems of the Shin Gwang-su’s family were reviewed. In the third and fourth chapters, aspects embodied by using components of ‘secularity’ were divided into two prongs to be illuminated. First, this researcher focused on the tendency of secularity’s turning into the graceful literature, whose gist is that they made use of materials in life to change them into the literary works that holds realistic and sympathetic feelings. Second, being targeted at the works in the space of having taste for arts where romantic feelings were strengthened, this researcher contemplated vulgar desire in it and poetic strategy of expanding the class enjoying it. Its substance is that they started by claiming to stand for grace, but resulted in embodying common desire. And in the last chapter, after diagnosing that Chinese poems of the Shin Gwang-su’s family that utilized secularity were sharing aesthetic sense with genre paintings of Kim Hong-do and Shin Yun-bok, it is suggested that they used folks’ literary asset as the artistic one and that they reflected the art historical flow of the former times when artists had paid attention to the people’s life and desire.
한문소설에 등장하는 사산(死産)된 영웅과 그 의미 -통속적 이웃의 탄생-
조선시대 일기에 나타난 성 의식 -보이는 성, 숨겨진 성-
『표해록(漂海錄)』과 『통속표해록(通俗漂海錄)』의 비교를 통해 통속의 의미 재고(再考)