훔멜의 비올라와 피아노를 위한 소나타 E♭장조 Op.5 No.3 작품분석 = Analysis of J.N.Hummel's Viola and Piano Sonata Op.5 No.3 in E♭ Major

국문 초록 (Abstract)

본 논문은 고전주의를 대표하는 피아니스트이자 작곡가였으며 교육자로 활동한 훔멜(Johann Nepomuk Hummel, 1778-1837)의 비올라와 피아노를 위한 소나타 E♭장조 Op.5 No.3의 작품 분석이다. 훔멜의 생애와 업적에 대해 알아보고 훔멜의 비올라 소나타 Op.5 No.3의 악곡을 분석하여 작곡가의 음악적 특징을 파악하여 다음과 같은 결과를 얻었다.
첫째, 일반적인 소나타보다 훔멜의 소나타는 4마디 이상의 악구가 많아 선율선의 호흡이 길다.
둘째, 알베르티 베이스 반주가 자주 사용된다. 알베르티 베이스란 화음을 펼쳐 만든 반주형태를 말하는데, 모차르트나 베토벤이 자주 사용하였다.
셋째, 부점리듬이 매우 자주 사용되었다. 넷째, 훔멜의 비올라 소나타 1악장은 소나타 형식이고, 2악장은 3부형식이며 3악장은 론도 형식인데 이 모두 고전주의적 형식을 따르기는 하지만 정형화된 형식 그대로가 아닌 부분적인 변화를 보이는 특징을 갖는다.
각 악장의 주요 특징을 정리해 보면 다음과 같다.
1악장은 알레그로 모데라토 (Allegro Moderato)악장으로 서주부, 제시부, 발전부, 재현부, 후주부로 구분되며 발전부의 모티브는 피아노 파트가 발전부를 발전시키는데 많은 역할을 한다. 2악장은 아다지오 칸타빌레 (Adagio cantabile)악장으로 3부형식이다. 느리고 서정적인 선율이 강조된 악장이다. 3악장은 론도 콘 모토 (Rondo con moto)악장으로 론도형식의 악장이다. 구성은 A→B→A→C→B′→D로 나누어진다. 전형적인 론도형식과는 좀 다른 형태의 형식이다.

다국어 초록 (Multilingual Abstract)

This paper is an analysis for Hummel′s Sonata for Piano and Viola E♭Major Op.5 No.3. Hummel (1778-18837) is a pianist, composer and educator representing classicalism. After searching for Hummel's life and achievements, I analyzed the musical characteristics of Hummel's viola Sonata Op.5 No.3. First of all, there are long phrases in his music. Generally a phrase made by four bars. However his musical phrases consist on more than four bars. Second, the Alberti bass accompaniment is often used which could see the music by Mozart or Beethoven. Third, dotted rhythm has been used very often.Fourth, all three movements followed the classical form. However the form has been changed partly. The main characteristics of each movement are as followings. The first movement is Allegro Moderato, which is divided into Introduction, Exposition, Development, Recapitulation, Coda. The piano has strong power to develop the part of Development.The second movement is called Adagio Cantabile. The form is the Tenery form. This movement is focused on lyrical melody. The third movement is the Rondo Concerto, which is the style of the Rondo. The composition is divided into A→B→A→C→B′→D. It's a slightly different form from the typical Rondo.

목차 (Table of Contents)

• 목 차
• Ⅰ. 서 론 ····································································· 1
• Ⅱ. Hummel의 생애 ·························································· 3
• Ⅲ. Viola Sonata에 나타난 Hummel의 음악적 특징 ···················· 7
• Ⅳ. Johann Nepomuk Hummel Viola Sonata Op.5 No.3
• in E♭Major 의 분석 10
• 1. 제 1악장 ······························································· 10
• 2. 제 2악장 ······························································· 27
• 3. 제 3악장 ······························································· 34
• Ⅴ. 결 론 ···································································· 50
• ·참고문헌 ·································································· 52
• ·국문초록 ·································································· 54
• ․Abstract ·································································· 56