Lyricism has, in terms of its subject matter, personal ideas and the vent of feelings as basic characteristics. In terms of its rhetoric, lyricism is a kind of persuasion through overstatements. Such characteristics reinforce the concept of non-confli...
Lyricism has, in terms of its subject matter, personal ideas and the vent of feelings as basic characteristics. In terms of its rhetoric, lyricism is a kind of persuasion through overstatements. Such characteristics reinforce the concept of non-conflict between the self and the world. However, maximization of the subjective inner world becomes impossible in the times of the loss of the identity of the self where lyricism is always in disharmony with the world. One way to break through the deadlock is to accept mimesis that gets over the subjective inner world by means of the characteristics of lyricism. Another way is to delve into the lyric speaker noting to the fact that lyric is speaking. The one accepts, in terms of utterance, referential, emotive, expressional, conative and phatic function of lyric to explain various forms of lyrics. But the other pays attention to who speaks and who listens the lyric voice and where it is spoken noting that utterance is a dialogue between the author and the reader and not that of a lyric speaker. In its process the intertextuality is inferred that a text is formed with traces and voices of many texts. Such a multivocal synthesis is the acceptance of the instability of the self and notes the voice that arises from unconsciousness. Lyricism deconstructs organic unity and thus comes across to the inconclusive multivoices.