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      Joyce의 Catholicism에 對한 小考  :  젊은 藝術家의 肖像畵量 中心으로 In A Portrait of the Artist as a Youngman = Essay on Joyce's Challenge to Catholicism

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      https://www.riss.kr/link?id=A19684926

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      How could james joyce bring forth the art like “Ulysses”in Irland where they had beleived in traditional, stern Jesuitic Catholicism? In this view point, to unvail the secret I would like to attach importance to “A Portrait of the Artist as a Y...

      How could james joyce bring forth the art like “Ulysses”in Irland where they had beleived in traditional, stern Jesuitic Catholicism?
      In this view point, to unvail the secret I would like to attach importance to “A Portrait of the Artist as a Young Man”as Joyce`s spiritual record: his spiritual biography, and through which I intended to written an essay on the above title.
      Introspective, extremely sensitive young Joyce could not be assimilated with the rigorous inhuman religious education or piety that he had observed, heard and Iearned because of some instinct stronger than anything else within him.
      He ever felt himself he was a starnger and a exile, and yet he could not take a flight from the reality held by the fear and doubt upon the religion Iike hell. But it was the vision of his as a great artificer that brought him to his awakening to not the dull despair, and inhuman reality that had called him to the pale service of the alter, but the call of the life to his soul.
      He did not fear to leave whatever he had to leave, and he was not afraid to make a lifelong mistake. The language by which, he said, he would create is own art using “Silence, exile, and cunning”.

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      목차 (Table of Contents)

      • 一. 序論
      • 二. 宗敎에 對한 人間의 挑戰
      • 1) 幼年期의 宗敎生活
      • 2) 人間의 發見과 宗敎的 懷疑
      • 3) 藝術를 爲한 離宗
      • 一. 序論
      • 二. 宗敎에 對한 人間의 挑戰
      • 1) 幼年期의 宗敎生活
      • 2) 人間의 發見과 宗敎的 懷疑
      • 3) 藝術를 爲한 離宗
      • 三. 結論
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