황석영 소설에 나타난 여성인물 연구 = A Study on Female Subjectivity in Novels by Hwang Seok-young

다국어 초록 (Multilingual Abstract)

Female subjectivity in novels written by Hwang Seok-young has maternity, post-colonialism and critical feature. Of these, maternity was given concrete expression most widely and deeply.
In < Near Ipseok >, his debut work, < Pig Dream >, < The Way to Sampo >, and < A Bird of Molgaewol > he wrote in the early days, maternal imagination was showed, which became a sprout of maternality in his next works. < The Way to Sampo > and < A Bird of Molgaewol > shows dismantled family in the industrial era through maternity led by sister complex. Han Yun-hee, the character of < Old Garden > has maternity which rises above family and leans toward the outside. Maternity Han Yun-hee bestows a favor on her father is a form in family, while maternity she shows to other characters including Oh Hyeon-woo, Lee Hui-soo, Song Young-tae, Choi Mi-kyeong rises over blood relation. There exists more extended maternity in「Sim Cheong」. That’s because it represents a maternal family unit bonded with sororal love. At the same time, deification of female maternity is achieved through indicating altruistic maternity above a people.
Post-colonialism of female subjectivity is showed through Oh Hye-jung, the character of「The Shade of Arms」, Yohan’s wife of「Guest」, and Sim Cheong of「Sim Cheong」. In these works, post-colonialism is realized through free female who is not under men, female who recognizes and confronts new colonial condition, their dauntless attitude toward conflict of ideology, and their recognition in the process of East Asia being eroding by imperialism.
Last, critical feature of female subjectivity is represented through female practice teacher of「For Younger Brother」, Han Hey-ja of「Annals of Mr. Han」and Park Mi-ri of「A Slender Hand」. The target female subjectivity criticizes is absurdity of reality, contradiction of capitalism, and adherence of divided people.
These female features enables Hwang Seok-young to get out of a prejudice that he wrote male masculine works and emphasized masculinity.