1 김정희, "장 뤽 고다르의 <주말>(1967): 1960년대 미술과 문화에 대한 해프닝으로서의 영화" 40 : 51-97, 2001
2 모나코, "뉴 웨이브 II" 한나래 1996
3 한상준 번역, "『장 뤽 고다르- 소비사회의 영화와 이데올로기』" 1991
4 MacBean, "and the Language of Signs in Godard's Made in USA" spring196918-25
5 Aumont, Jacques, "The Fall of the Gods. Jean-Luc Godard's Le Mépris(1963)" London and New York: Routeledge 174-188, 2000
6 Andreas, "The Cultural Politics of Pop Reception and Critique of US Pop Art in the Federal Republic of Germany" 77-97,
7 Williams, "Republic of Images" Havard University Press 1992
8 Milan, Estera, "Pop Art/Pop Culture, Neo-Dada and the Politics of Plenty" 181-204,
9 Bauer, "Kunst und Kuenstler im Film" 111-119, frankreich19591990
10 Vacche, Angela della, "Jean-Luc Godard's Pierrot le Fou - Cinema as Collage against Painting" Austin: University of Texas Press 107-134, 1996
1 김정희, "장 뤽 고다르의 <주말>(1967): 1960년대 미술과 문화에 대한 해프닝으로서의 영화" 40 : 51-97, 2001
2 모나코, "뉴 웨이브 II" 한나래 1996
3 한상준 번역, "『장 뤽 고다르- 소비사회의 영화와 이데올로기』" 1991
4 MacBean, "and the Language of Signs in Godard's Made in USA" spring196918-25
5 Aumont, Jacques, "The Fall of the Gods. Jean-Luc Godard's Le Mépris(1963)" London and New York: Routeledge 174-188, 2000
6 Andreas, "The Cultural Politics of Pop Reception and Critique of US Pop Art in the Federal Republic of Germany" 77-97,
7 Williams, "Republic of Images" Havard University Press 1992
8 Milan, Estera, "Pop Art/Pop Culture, Neo-Dada and the Politics of Plenty" 181-204,
9 Bauer, "Kunst und Kuenstler im Film" 111-119, frankreich19591990
10 Vacche, Angela della, "Jean-Luc Godard's Pierrot le Fou - Cinema as Collage against Painting" Austin: University of Texas Press 107-134, 1996
11 Allen, "Godard's Alphaville and Two or Three Things That I Know Her" 947-964, spring1976
12 Chin, "From Popular to Pop" 5-20, 1991
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