西洋音樂을 專攻한 韓國 作曲家가 國樂的 思想을 表現한 作品의 分析的 硏究 = An analytic study on the ideaof Korean Classical music works by a Korean composer whohas majored in western music

다국어 초록 (Multilingual Abstract)

-Conclusion-

The purpose of this treatise is to suggest the future of our music through an analytic study on the idea of Korean classical music works by a Korean composer who has majored in Western Music. As results of this study, we get the condusions as below.
1. The idea of Korean classical music means the Korean people's unique, traditional spirits in their music which were formed before the influx of the western music.
2. In historical points,
① Lost of Koreans have put more emphasis on the western music than on the Korean classical music.
② But we should look upon these trends as transitional phenomena and rebuild the the western music with identity, just as the old Korean music accepted and developed 'Tarngak' & 'Aahak' in 'Hyangak', Korea's original music.
3. In educational Points, we have to solve the problems as follows.

Suggestions Remarks
Theory All Kinds of music activities should °Establishing more institutions for
be done on the theoretical basis. Korean Music
°Recansidering musical curriculum

Camposition The integration of 'Korean Music' & Aveiding seperate education of
Western music Korean Music & Western music

Performance °Peforming newly-made Korean works Avoiding the preference of perform-
°Invention of new musical manual ing western music

Education °Education for the sake of 'korean We have to put more emphasis on
of music Music 'Korea Music' than on Western
music in Korea

Masscommu °Building the mood for the fixation of Aveiding the generalization of
nication 'Korean Music' Western music

4. In analytical study, we can reach these conclusions
① The ideas of Korean classical music generally contain Buddism, Taoism and Shamanism
② In comparison with the western music, the characteristics of Korean classical music are as follows.

Korean Music Section Western Music

Spontaneous genesis Origin Artificial genesis (constructive)

Obedience to nature(philosophic) Idea Challenge to nature (scientific)

Integrated Classification Analytical

Largo-Allegro-Largo Form Allegro-Largo-Allegro

'Samboonsonikbob'(三分損盆法) Tuning Temperament

Poly-rhythm, natural Rhythm Meter-rhythem, mechanical

Pentatonic scale and others Scale Heptatonic scale

③ We can get these conclusions after examining thoroughly the works by 'Yoon I Sang', 'Kang Suk-Hee' and 'Choi In-Sik'.
ⅰ) One of the urgent problems that 'Korean Musik' faces, lies with the creation of 'Korean Style' by Korean composers. And the Commom thing of the above three composers is that they have been creating the new 'Korea Style' on the basis of their firm ideas.
ⅱ) They have been making their works which show 'the universe' on the basis of ideas of Taoism, Buddism and Shamanism.
ⅲ) For works with 'the universe', they are ready to take all kinds of musical instruments such as western musical instruments, electronic music, etc.
Therefore, We can reach the important conclusione as follows.
Ⅰ. Whenever we accept the western music, We have to hold up our identity with potential energy.
Ⅱ. After all, the most important thing is the settlement of 'Korean Style' by Korean composers.

목차 (Table of Contents)

• Ⅰ. 序 論
• 가. 問題提起 및 硏究目的
• 나. 硏究範圍 및 硏究方法
• Ⅱ. 本 論
• 가. 韓國音樂의 現實
• 1. 歷史的 側面
• 2. 敎育的 側面
• 나. 國樂的 思想과 分析硏究
• 1. 國樂的 思想
• 2. 國樂의 特徵
• 3. 作品分析
• Ⅲ. 結 論
• 參考文獻
• Abstract