Koreans have a lot of treasures they have enjoyed singing and dancing from long time ago at present, and they sometimes enjoy them now.
These singing-custome, involvng dancing, have been well kept from the ancient contries such as the period of three...
Koreans have a lot of treasures they have enjoyed singing and dancing from long time ago at present, and they sometimes enjoy them now.
These singing-custome, involvng dancing, have been well kept from the ancient contries such as the period of three States, Kolye, and Chosun.
Therefore, we happily have a lot of songs or words written by our ancesters.
But we need to focus about Hyanga made by Shills period about 1200 or over years ago.
But unhappily, the study of music about it are very weak as well as approaching to. Why?
It's very sorry that the materials about Hyanga have not been left in the melodies of it.
We don't know why we can't find them, and misting or burnt?
Even we have few records, we can find some ways to study the meloddy of it.
We can imagine that the people of Shilla had sung the Hyanga to place various words on the same melody rather than singing with no rules.
We understand the musical instruments such as Gayago, Bipa, Geumungo and so on, were popular by them.
So we can guess the melody were deep interested in the scales of them.
Besides, we can find the vestages of the Hyanga in the songs of Kolye period even missing the melody of it. For example, "Samogok", one of the songs of Kolye period, is well known "Mokjuga", one of Hyan-gas of Shilla period.
And Jungsuh's "Jeunggwajung", when king. Uijong of Kolye dynasty, composes of 10 phrases the same as "Changgipalanga" of that of Shilla.
Futhermore, "Silagiga" of that of Japan influenced by that of Shilla provides us good materials.
Therefore we have possibility to revive it by such indirect ways or means.