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    김유정 소설의 “열린 결말” 연구 = The Open Ending of Kim You-jung`s Novels & Ambivalent Irony

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    https://www.riss.kr/link?id=A99769271

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    This paper deals with plot of novels written by Kim You Jung. And this paper focuses on open ending of Kim You Jung`s novels. His novels`s open ending creates the effect of ambivalent irony, which is not simple contrast between intentions and results, but reveal contradiction of tenant farming in the Japanese colonial period. The situation of Kim You Jung`s characters of novels is getting worse when we compare ``end`` with ``beginning``. The characters of novels fall over themselves for improving their economic situation, but that situation would not improve absolutely. They were placed in extreme situation, and they do illegal acts, which is steal, gamble, prostitution for getting out from worst situation. But they always failed to escape from poverty because of the barrier of tenant farming in the Japanese colonial period. The women traveler in ‘The traveler of mountains’ gets merry with Duc-Dol, the son of pub, but she got merry already, and had husband. She stoles winter clothes of Duc-Dol, and returns to sickly, poor husband. And Eung-O in ‘The Manmubang’ stole rices that he have cultivated himself, but is not his possession. They violets the laws of Japanese colonialism. But they did those action not for themselves but for others. Therefor their illegal actions is objets of sympathy, not of condemn. The characters of another rural novels drove out Delbyengiee who is wanderer prostitute for family`s living. Even they sold wife, or tried to follow Delbyengiee. Of course they failed and backs to situation of ‘beginning``. Or they betray friends, plow over pea patch, injures himself for taking gold. These novels reveal the fact, that contradiction of tenant farming in the Japanese colonial period devastated not also their economic life but their inner world. The characters of urban novels of Kim You Jung are beggars, hostess of bar, unemployed person. They become lethargic or have a big crush elder women. They reveals ruined urban life, an trend of materialism, chronic poverty. Especially ‘The Blazing Sun’ is embodying the poor husband who is doing best to wife who is dying because of poorness. Likewise the ‘open ending’ of Kim You Jung`s novels show worsen aspects than ‘beginning’. The character of his novels try to get over their difficult position, but their attempt always fail. The open ending of These novels create ambivalent ironic effect. And ironic effect of these novels deconstruct existing morals and persue alternative morals for people class.
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    This paper deals with plot of novels written by Kim You Jung. And this paper focuses on open ending of Kim You Jung`s novels. His novels`s open ending creates the effect of ambivalent irony, which is not simple contrast between intentions and results,...

    This paper deals with plot of novels written by Kim You Jung. And this paper focuses on open ending of Kim You Jung`s novels. His novels`s open ending creates the effect of ambivalent irony, which is not simple contrast between intentions and results, but reveal contradiction of tenant farming in the Japanese colonial period. The situation of Kim You Jung`s characters of novels is getting worse when we compare ``end`` with ``beginning``. The characters of novels fall over themselves for improving their economic situation, but that situation would not improve absolutely. They were placed in extreme situation, and they do illegal acts, which is steal, gamble, prostitution for getting out from worst situation. But they always failed to escape from poverty because of the barrier of tenant farming in the Japanese colonial period. The women traveler in ‘The traveler of mountains’ gets merry with Duc-Dol, the son of pub, but she got merry already, and had husband. She stoles winter clothes of Duc-Dol, and returns to sickly, poor husband. And Eung-O in ‘The Manmubang’ stole rices that he have cultivated himself, but is not his possession. They violets the laws of Japanese colonialism. But they did those action not for themselves but for others. Therefor their illegal actions is objets of sympathy, not of condemn. The characters of another rural novels drove out Delbyengiee who is wanderer prostitute for family`s living. Even they sold wife, or tried to follow Delbyengiee. Of course they failed and backs to situation of ‘beginning``. Or they betray friends, plow over pea patch, injures himself for taking gold. These novels reveal the fact, that contradiction of tenant farming in the Japanese colonial period devastated not also their economic life but their inner world. The characters of urban novels of Kim You Jung are beggars, hostess of bar, unemployed person. They become lethargic or have a big crush elder women. They reveals ruined urban life, an trend of materialism, chronic poverty. Especially ‘The Blazing Sun’ is embodying the poor husband who is doing best to wife who is dying because of poorness. Likewise the ‘open ending’ of Kim You Jung`s novels show worsen aspects than ‘beginning’. The character of his novels try to get over their difficult position, but their attempt always fail. The open ending of These novels create ambivalent ironic effect. And ironic effect of these novels deconstruct existing morals and persue alternative morals for people class.

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    참고문헌 (Reference)

    1 최유찬, "채만식의 항일문학" 서정시학 2012

    2 최유찬, "채만식의 창작기법 연구-플롯의 대응형태를 중심으로-" 한국문학연구학회 (41) : 175-216, 2010

    3 전신재, "원본 김유정 전집(개정증보판)" 도서출판 강 2012

    4 이상섭, "아리스토텔레스의 시학 연구" 문학과지성사 2002

    5 헬무트 본하임, "서사양식" 예림기획 1998

    6 김유정학회, "김유정의 귀환" 소명출판 2012

    7 김유정학회, "김유정과의 만남" 소명출판 2013

    8 최성윤, "김유정과 동시대 문학 연구" 소명출판 2013

    9 권채린, "김유정 문학의 향토성 재고(再考)-30년대 향토 담론과의 비교를 중심으로-" 한국문학연구학회 (41) : 107-137, 2010

    1 최유찬, "채만식의 항일문학" 서정시학 2012

    2 최유찬, "채만식의 창작기법 연구-플롯의 대응형태를 중심으로-" 한국문학연구학회 (41) : 175-216, 2010

    3 전신재, "원본 김유정 전집(개정증보판)" 도서출판 강 2012

    4 이상섭, "아리스토텔레스의 시학 연구" 문학과지성사 2002

    5 헬무트 본하임, "서사양식" 예림기획 1998

    6 김유정학회, "김유정의 귀환" 소명출판 2012

    7 김유정학회, "김유정과의 만남" 소명출판 2013

    8 최성윤, "김유정과 동시대 문학 연구" 소명출판 2013

    9 권채린, "김유정 문학의 향토성 재고(再考)-30년대 향토 담론과의 비교를 중심으로-" 한국문학연구학회 (41) : 107-137, 2010

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    2022 평가 재인증평가 신청대상 (재인증)
    2019-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2016-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2012-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2008-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2007-01-01 등재 등재후보 1차 FAIL (등재후보1차) KCI등재후보
    2006-01-01 등재 등재후보학술지 유지 (등재후보2차) KCI등재후보
    2005-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2004-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2002-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.54 0.54 0.54
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.51 0.5 0.879 0.19
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