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- 주제어 : Imre Kertesz (검색결과 3 건)
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성장소설의 관점에서 본 케르티스 임레(Kertesz Imre)의 홀로코스트 문학 -“운명 4부작”을 중심으로
유진일 ( Jin-il Yoo ) 세계문학비교학회 2016 세계문학비교연구 Vol.55 No.-
Kertesz Imre, a Hungarian Nobel Prize winner in Literature 2002 has delved into the Holocaust since he experienced Auschwitz at the age of 14 years. His so-called Tetralogy of Fate, which consists of Sorstalansag (Fatelessness), Kudarc (Fiasco), Kaddis meg nem szuletett gyermekert (Kaddish for an Unborn Child), and Felszamolas (Liquidation), is a series of autobiographic novels that depict the writer``s Auschwitz experiences and rough and rugged paths of life with the ensuing trauma. The preceding studies focused on the narrative structures and techniques of his Auschwitz works as well as their differences from the existing Holocaust works in terms of features. The present study analyzed Kertesz``s Holocaust tetralogy in terms of Karl Morgenstern``s Bildungsroman theory that did not apply to the existing studies. According to the analysis, the first work Fatelessness has a typical narrative structure of lack of self-identity-ordeal-establishment of self-identity. Having no juvenile protagonist, the remaining three works cannot be seen as Bildungsromans, but have Bildungroman``s narrative structures, given the protagonists`` processes of recognizing self-identity as Jews. The tetralogy``s first work has an independent Bildungsroman structure, while the whole four works also have a Bildungsroman structure. Therefore, the tetralogy constitutes a dual Bildungsroman structure.
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케르테스 임레의 『운명 4부작』에 나타나는 폭력과 치유
유진일(Jinil Yoo) 한국동서비교문학학회 2020 동서 비교문학저널 Vol.0 No.51
A Hungarian writer Imre Kertész dedicated his lifetime to the report of violence and trauma on the basis of the experience he had at the Auschwitz Concentration Camp at the age of fifteen. Belonging to Camp Literature, his representative works are “Fatelessness”, “Fiasco”, “Kaddish for an Unborn Child”, and “Liquidation.” Called the “Tetralogy of Fate”, the four are autobiographical novels that are organically connected with each other in terms of theme. Especially, “Sorstalanság”, the 2002 Nobel Prize-winner, depicts a man named Köves György who was taken to Auschwitz for the mere reason of being a Jewish man and suffered hardships there for one year. Interestingly enough, the work describes Auschwitz as a place where life does not greatly differ from that outside of the Concentration Camp and even happiness sometimes exists, unlike other Camp Literature works, in reporting the site where the horrors of violence and massacre occur without a pause. This point of view derives from the experience of violence he had at home and school in his childhood and adolescence. Kertész presents writing as a method to cure the trauma he experienced at Auschwitz. His hero breaks the fragments of his memory into much smaller pieces through writing, unlike others who try to hide their memories of the Concentration Camp intentionally. After all, the writer is freed from the trauma of Auschwitz and cured by burning all the pieces using the burnt offering ritual in his last novel “Felszámolás.”
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