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        1930년대 모더니즘과 도시시학

        김동우(Kim Dong-Woo) 국어국문학회 2008 국어국문학 Vol.- No.149

        This essay intends to explain the meaning of Korean modernism poetry and the poetics focusing on the urban space in which the modern age and modernity are realized and exhibited concrete place. This discussion generally has two subjects which are the poetic perception for urban and of the issue of the expression. The main point of Intellectualism, a branch of Korean modernism, is having a scientific and intellectual attitude for understanding the modern society. This has a positive meaning. Because of aiming the modern attitude of understanding the world and more definitely functioning a instrumental tool for perception and criticism of urban civilization which develops complicatedly. This is significant to understand the life-style of the urbanites objectively, considering city dwellers feel at over-sensitiveness that makes intellectualization of urban life eventually by reason of the own doublefaced character of urban and its complex artificial mechanism. But, on occasion that the attitude of perception changes to the issue of the expression the limit is revealed clearly. Because the liberated practice of intellectualized life is obtained in the opposite factor of it instead. In that respect Kywang-Kyun Kim‘s poetic art of formation attracts an attention. He was good at forming the urban image and lyric. The favorable comments for his commanding the image and unfavorable ones for his expressing the excessive feeling were the dominant existing criticisms. But, in relation to urban life, the lyric of his poems doesn't melted into the images fully call forth tragic beauty that stimulate alienation and sorrow of urbanite more strongly. For this reason Kywang-Kyun Kim's poem should be newly evaluated. And the synesthesia expressions reveal a new respect in connection with segmentalized and fragmental urban life-style. After all, his poem helps to recover man's totality through the integration of sense.

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