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      • A Comparative Study on Korean and Chinese Traditional Furniture based on the Life Style

        하재경,홍승대,Ha, Jae-Kyung,Hong, Sung-De Korean Digital Architecture-Interior Association 2006 한국디지털건축인테리어학회 논문집 Vol.6 No.1

        Korea and China have had close relations not only geographically but also ideally and culturally throughout history. Regarding their lifestyles on housing patterns, however, Koreans had a sedentary way of life, usually sitting on the floor while Chinese had a standing lifestyle, sitting on a chair. This paper tries to have a comparative analysis on similarities and distinctions of two countries' traditional furniture that had complied with each lifestyle. This paper also aims to explore the similarities and distinctions of the form and function of the traditional furniture of the two countries and then to put results of this paper in design and plan of modern furniture and housing in our times. The study can be summarized as follows. Even if, cultural and historical relationships of two countries, there is a different of traditional furniture's forms and types. The major differences are as following : Korean furniture is predominantly on the floor level with storing furniture while Chinese one is intermixed with seat-level and floor level styles. These characters seem to be derived from their own housing and life style. In Ming and Qing period China, Their developed in which intermediate people and building. But, in Korea their housing style had floating floor against wet earth, which finished woods, Ondol. Because of these finishing, the Korean traditional furniture was developed into a good form and a suitable dimension for moving. These differences in furnishing style seemed to well reflect building and housing style of each country. And Image map and positioning map can show the differences in a whole aspect.

      • From geometrical to fractal: Variations of the Grid in Architecture

        마르땡 피슈박,Fischbach, Martin Korean Digital Architecture-Interior Association 2010 한국디지털건축인테리어학회 논문집 Vol.10 No.3

        르네상스 시대의 필리포 브뤼넬레치, 19세기의 쟝 니꼴라 루이 뒤랑, 근대 건축의 꾸르뷔지에, 귀세프 테라니, 밀르벤 데르호흐, 그리고 현대건축의 장 누벨과 같은 5명의 건축가의 예를 통해, 건축에서 늘 되풀이되어 나타나는 기하학적 형체로서의 이 격자무늬는 자신의 다면성을 보여준다. 합리적인 면은 그대로 간직한 채, 격자무늬는 순서대로, 균형잡힌 비율의 선, 축에 관한 구성체계, 조립식 건축의 구조, 합리주의의 상징, 건물의 배치와 크기를 결정하는 반복적인 조직망, 삼차원 공간에서의 프랙탈한 이미지로서 나타난다.

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