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‘자기’와 ‘자아’ 사이 진화하는 홍상수의 ‘자기실현’ - <해변의 여인>을 중심으로
허은희 한양대학교 현대영화연구소 2012 현대영화연구 Vol.8 No.2
Herman Hesse truly believes the starting point of arts is at the combination of two different genders. And Carl Gustav Jung‘s systematize this theory with the concepts of ‘self' and ‘ego'. ‘Ego' at the center of consciousness, contains the limits of physical difference between male and female, and ‘Self' at unconsciousness includes both ‘anima', which refers to the feminity in man, and ‘animus' to the masculinity in woman. C.G. Jung defined ‘Self-realization(Selbstverwirklichung)' as the process of human being unifying ‘self' and ‘ego'. The purpose of ‘Self-realization(Selbstverwirklichung)' is to balance between the femininity(anima) in man and the masculinity(animus) in woman, and to make the whole mind of androgyne in the unconsciousness, for creativity in each human being. <Woman on the Beach> could be considered to show that Dir. Hong Sang-Soo's unconscious mind, ‘self', has been developed to meet the point of his conscious one, ‘ego'. Director Hong created the muddled woman character in <The day a pig fell into a well >(1996), the shallow female creature of the motherhood in <The Power of Kangwon Province>(1998), and then he developed the emotional and positive woman personality in <Turning Gate>(2002). However, in <Woman Is the Future of Man>(2004), woman is displayed as being the expendable, not the future of man. who is absolutely necessary for man, but the reason for being is not clear for herself. The female character finally starts to express her animus in <Tale of Cinema>(2005). In <Woman on the Beach>(2006), dir. Hong created the male character, Joong-rae, to run into two kinds of animas, Sun-hee and Moon-sook, from his subconscious level, who help him reveal his desire to achieve ‘Self-realization'. Dir. Hong drastically shows his anima through his characters in his movies more than ever. His male character percepts his cravenness, even saying, “I'm spooked again." and accepts the shadow for ‘Self-Integration'. Dir. Hong's character in his future films, is expected to pull each anima/animus from his/her shadowland to the surface on the conscious level, like Joong-rae and Moon-sook. Now he thinks more to give a birth to the unique but intimate type of human being full of possibility for ‘Self-realization' and ‘Self-Integration', rare to be controlled by the principle of time and space, through his film-making.
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허은희 부산대학교 영화연구소 2022 아시아영화연구 Vol.15 No.1
디지털 기술의 발달이 다양한 상영 플랫폼에서 관객과 영화 간 직접적인 소통을 가능하게 하면서, 포스트 시네마는 콘텐츠와 향유자 사이의 물리적 거리를 좁히기 위한 실험을 계속해왔다. 이처럼 관객이 스토리 전개에 적극적으로 참여하게 만드는‘인터랙티브 스토리텔링’은 포스트 시네마의 대표적인 서사 전략 중 하나이다. 영화 <서치>(아니쉬 차칸티Aneesh Chaganty 감독, 2018)는 상영 플랫폼의 속성에 적합한 인터랙티비티의 응용과 트랜스미디어적 미장센을 통해, 극장용 인터랙티브 시네마의 한계인 ‘몰입의 방해’와 ‘디지털 테크놀로지에의 적응문제’를 극복하고, 스크린 기반의 내러티브 영화에서 가능한 상호교환적 스토리텔링의 새로운 모델을 제시하고 있다.
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은행엽 추출물이 PC12 세포주에서 알콜올에 의해 유도된 세포 독성에 미치는 영향
허은희,이종걸,한설희 대한치매학회 2004 Dementia and Neurocognitive Disorders Vol.3 No.2
Background and Objectives: The processes underlying ethanol (EtOH)-induced neurotoxicity appear to be complex, with evidence for both apoptosis and necrosis in vitro. Oxidative stress has been implicated in the cytotoxic actions of EtOH. We investigated in rat pheochromocytoma (PC12) cells to see if EtOH-induced cytotoxicity is associated with oxidative stress and the standardized extract of Ginkgo biloba extract (EGb 761) is able to attenuate EtOH-induced neurotoxicity. Methods: We assessed oxidative stress induced by incubating PC12 cells with EtOH for 30 min by using the 2' ,7' -dichlorodihydrofluorescein diacetate (DCFH-DA) assay quantitatively. To investigate the neuroprotection effect of EGb 761, cells were pretreated with this drug and the degree of oxidative stress or cell survival was assessed. Results: PC12 cell cultures exhibited a loss of cells and increase in intracellular reactive oxygen species when exposed to EtOH. Loss of cell numbers was EtOH concentrationdependent. EtOH-induced neurotoxicity correlated with oxidative stress as reflected by DCFH-DA fluorescence. Addition of EGb 761 prior to EtOH treatment attenuates the EtOH-induced free radical production and neuronal death. Conclusions: The present investigation provides evidence that oxidative stress is involved in the pathogenesis of EtOH-induced neurotoxicity in PC12 cells. Further, the neuroprotective effect of EGb 761 on EtOH toxicity correlates with the suppression of intracellular oxidative stress. These results suggest that EGb 761 is beneficial for neuronal cell survival in response to oxidative stress, such as EtOH-induced neurotoxicity.
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애니메이티드 다큐멘터리의 스토리텔링 연구 - <바시르와 왈츠를>을 중심으로
허은희 부산대학교 영화연구소 2020 아시아영화연구 Vol.13 No.2
Animation has extended its boundary from the fictional text to realism films, adopting storytelling techniques from documentary and narrative films. Especially, animated documentary including Waltz with Bashir have developed its own storytelling by 1) taking the real events as film materials and the traditional methods of making documentary films such as interview, narration, photograph & document, eyewitness, experts, and captions, 2) applying dramatic structure, cinematography and editing style from narrative films for audiences’ empathy, and 3) utilizing the arts of animation for visualizing the invisible elements out of emotions, dreams, hallucinations, and memories of past events. These converged storytelling modes of animated documentary can provide the sufficient possibility to create the new types of realism between daucmentary and narrative films.
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<부산행>과 <서울역>에 나타난 트랜스미디어 콘텐츠의 속성과 한계: ‘가능 세계’의 멀티미디어적 확장을 중심으로
허은희 한국멀티미디어학회 2020 멀티미디어학회논문지 Vol.23 No.8
Train to Busan(2016) and Seoul Station(2016) contain trans-media properties in terms of the expansion of ‘possible worlds’ from the original story, and show the cultural and economic potential of the domestic trans-media contents with industrial systems added to the artist's competence of Dir. Yeon Shang-ho, an animator and film director. But they also have limits of the lack of continuity in time and characters between each media, various derived contents and suitable marketing strategy. For the development of Korean trans-media contents, it is necessary to extend the range of contents, find changes in production time and style, and improve the distribution environment to encourage a user to integrate contents from each platforms.
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