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정원지 중국인문학회 2018 中國人文科學 Vol.0 No.68
“Zhang Xie Zhuang Yuan" is a work of literature written in the late Ming dynasty and early Qing dynasty. By comparing with short stories of the early Ming dynasty, we can discover the unique characteristics of “Zhang Xie Zhuang Yuan". The 5 representative short stories of early Ming dynasty are based on the simple structure such as meeting-parting-reunion. On the other hand, “Zhang Xie Zhuang Yuan" has more complex structure than former. It has meeting-parting-reunion-parting-reunion process containing the variations of affection and imperial examinations. “Zhang Xie Zhuang Yuan" does not merely contain literary element in the meeting to final reunion between Zhang xie and Pin nǚ, it shows the marriage custom reflecting the general desire and sentiment of ordinary people in those days. “Zhang Xie Zhuang Yuan" was a ‘unfaithful type’ in the stage of drama text in the early Song dynasty which can be regarded as pure literary fiction, and it was gradually adaped as a ‘reeunion type’ in the version of Yongle Ming dynasty which contains social and cultural factors. In other words, the version of Yongle Ming dynasty has much more realistic factor than the drama text version. “Zhang Xie Zhuang Yuan" contains the concept of Men Dang Hu Dui (a marriage between families of equal social status) and the concept of conjugal knot, therefore it probably aroused sympathy from the people in those days and even it can evoke sympathy of people today. In addition, we admit that the "Zhang Xie Zhuang Yuan" made a true depiction of realistic human character. All along we have easily regarded the endings of ‘reunion type’ shown in the Ming and Qing dynasties novels and operas as trite stereotyped endings and belittled their importance. But if we look at these "reunion" endings from a broader cultural perspective, there may be more extrapolated values awaiting us to discover just as we found in “Zhang Xie Zhuang Yuan".
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정원지 중국인문학회 2019 中國人文科學 Vol.0 No.72
This paper wanted to look at the background and propagation path of the wandering performance group, referred to as kui-lei-zi傀儡子(A performing group that travels across the region, performing puppet shows and acrobats.). The wandering entertainer(kui-lei-zi傀儡子) has often been described starting from India and the gradual shift of the group to the east. In this paper, we looked at the three characteristics of Comitatus, the system of the Huns' group, primarily be based on historical references to central Eurasia, in order to look at the trajectory of the middle ground to reach China, depending on these existing theories. We looked at what was regarded as the characteristic of the Comitatus of the Huns and the Huns, namely, the device for performing the task of protecting both life and death with external hostile forces, i.e. the association of the Comitatus was discussed over three items, including the ImHyop Group(a group of brave and strong men united in their determination to give their lives for the leader by drinking the blood of the beast and vowing to die together the same day). The task of protecting the present world and the afterlife states is maximized in the same post as Bangsangsi, and the three items can each have a consistent meaning, given that the Impeachment group formed around one martial art is a mechanism for establishing the relationship between the master and warrior in the real world, and that the Sunjang custom(A burial system in which a person belonging to the ruling class of a group is forced or voluntarily buried together after that person when he or she dies) is a mechanism for performing the same role as the clinician group of life in the afterlife. Against this backdrop, a wandering group performing puppet shows, acrobats, etc. who would have been born cannot specify its path of propagation, but it is assumed that it was spread to China and Korea, respectively, through China, and gradually to Central Eurasia along the path of medicine, exchange and Buddhism. Among these arguments, it is at the center of the discussion that it is thought that the Xiongnu group had the most influence on the propagation path. In particular, since the discussion of the relationship between 'the wandering entertainer(kui-lei-zi傀儡子) and the comitatus discussed in this paper was based mainly on the contextual reasoning, there is still work to prove the original logic by securing more objective and concrete details.
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정원지 중국인문학회 2015 中國人文科學 Vol.0 No.61
本文是通过考察中国传统时期的元宵节公演活动的渊源,产生背景以及演进过程,从而分析现在和当代中两个时期的现状和前景。中国传统时期的元宵节公演活动在其渊源,产生及发展过程中有三个与之相关的因素。其中与太阳相关的部分中,太阳仪礼是与元宵节有关的;与季节相关的部分中,傩礼是与元宵节有关的;与火相关的部分中,张灯的仪礼是与元宵节有关的等等,我们将通过分析这三方面的性格特征来了解元宵节公演的渊源和演进。以此为基础,再结合中国当代元宵节实地调查的方法来观察现在公演的实际状态。首先我们要先了解现在中国政府对本国非物质传统文化的政策以及对于未来一些前景的展望。
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