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전봉관(Jun, Bong-Gwan),김병준(Kim, Byung-Jun),이원재(Lee, Won-Jae) 한국현대소설학회 2016 현대소설연구 Vol.- No.61
We collected and digitized the whole bibliographic information of the three quarterly literature magazines (Changjakkwapip’yong, Munhaktongne, and Munhakkwasahoe) issued from 1994 to 2014. 11,037 articles with authors name were classified into poem, novel, critique, thesis, column, and interview. 1,565 Korean novelitss were identified as either the author of an article or the subject of a critique. We also collected the demographic information of the novelists, which includes age, gender, debut year, alma mater (college and graduate school), and the majors in the schools. Using descriptive and inferential network statistics, we found the evidence that there was a significant correlation between the literature activities and the social backgrounds of the novelists. On the basis of this finding, we suggest that the problem of literature power can be better understood in terms of cronyism. The non-literary bases of literature in Korea should be further recognized in the enterprise of Korean literature.
일제강점기 지식인 실업 문제의 문학적 형상화 양상 연구
전봉관(Bong Gwan Jun) 한국현대소설학회 2015 현대소설연구 Vol.- No.58
In Korea, the unemployment problems and crises have appeared for the first time in the period of Japanese colonial rule of Korea. So writers in that period were the first generation who has confronted the unemployment of intellectuals. Literary works which dealt with unemployment problem of intellectuals in that period, tried to find conditions, cause and effects of it as well as introspected the existential angsts of intellectuals who had made tremendous efforts to find jobs. The unemployment problems of intellectuals involved not just economic problems which indicated high unemployment rate or difficulties in getting jobs but the ideology which forced to choose between the ideals and the reals. The intellectuals has despaired and angered not just they were trouble in finding the jobs but they were forced to abandon the knowledges, thoughts and ideals which they have been sought in their school days. Comparing with the present Korea, the political and economic conditions were more depressed in the period of Japanese colonial rule of Korea. The intellectuals who have failed to find jobs have confronted sever and awful cold, starvation, poverty, indignity, servility etc. which they couldn’t imagine in their school days.
전봉관(Jun, Bong-gwan) 국어국문학회 2013 국어국문학 Vol.- No.165
This study aims to reveal the possibility of story engineering as a narratology after the novel. The novel is the genre reflecting the spirit of the age as well as the most popular narrative genre before 20th century. For that reason most of theories of narratology focused on the novel. But after the time the novel not only lost the popularity but also was deprived the historical philosophical feature. Story engineering does not acknowledge the priority of the novel over other popular narrative genre such as movie, comic books, computer game etc. The term story engineering does not widely use even in Hollywood where storytelling techniques were developed for practical and industrial purpose after 1940s. But social needs of story engineering are increased widely, for storytelling has applied to diverse fields such as architecture, marketing, political campaign even in math. This study classified three dimensions of story engineering and reviewed the possibility of that.
전봉관(Jun Bong-Gwan) 한국시학회 2007 한국시학연구 Vol.- No.20
This study aims to reveal the destiny of avant-garde through Kim Girim's Poetry Gisangdo. Avant-garde presupposes temporality in creating and experiencing arts. Avant-garde means successive attempts of exploring new artistic forms and ideologies against old conventions and traditions. So avant-garde implies dichotomy of 'Old and New'. When the term first emerged during the first world war, avant-garde which includes dadaism, surrealism, cubism, futurism etc. was new and progressive forms of arts, but nowadays avant-garde works in that period are no longer new and progressive. As time passes on avant-garde declines to decadence. Kim Girim known as modernist poet not avant-garde poet. But his several poets follows avant-garde style. His poem Gisangdo inspected contemporary world civilization in 1930s. He used diverse proper nouns; foreign names and places. When he first published Gisangdo, proper nouns were not so difficult to understand, but nowaday these look like cryptograms. He investigated realities in 1930s not in 2000s. Gisangdo was the newest style of poem when it was published but nowaday it is just out of fashioned poem and almost impassible to read. To interpret Gisangdo, we can understand the value of 'old avant-garde as well as it's real meaning.