http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
대조를 통한 조화 : 밀튼의 "L'Allegro"와 "Il Penseroso" 연구 A Reading of Milton's "L'Allegro" and "Il Penseroso"
임성균 청주대학교 인문과학연구소 1994 人文科學論集 Vol.13 No.-
The aesthetic beauty and power of the companion poems, "L'Allegro" and "Il Penserose," seem to be based upon the contrast in theme, mood, and imagery. The Thematic significance of each poem, Mirth and Melancholy or day and night, is contrasting. The predominant mood of "L'Allegro" is joyous and active while the other poem generally deals with somewhat pensive, yet rich pleasure. And if the former is full of pleasant sounds and dazzling colors, the latter shows abundant use of quietness and gloomy black/white images. When we further examine the poems, however, we will soon find that these various contrasting elements are carefully interwoven and juxtaposed in each poem, so that the two poems work as a whole to achieve a single vision. And this vision aims at an ultimate harmony in which the two opposing extremes are incorporated and transformed into a new unified form of joy and happiness. Thus, the paper will examine how the contrasting elements work in the two poems so as to achieve a harmonious unity, discussing the structure of the poems as well as the significances of some particular scenes.
임성균 한국고전중세르네상스영문학회 2017 중세근세영문학 Vol.27 No.1
Although William Shakespeare knew well and admired Edmund Spenser and his works, it seems that he considered the elder poet as one of his competitors as well. Shakespeare's Sonnets, probably written around 1598 and published in 1609, significantly reflects the themes and imagery which are often found in Spenser's Amoretti. This paper is to examine both Sonnets and Amoretti in their thematic similarities and differences, so as to better understand the meanings and significances of each sonnet sequence. Despite the various discussions and investigations, we still do not clearly know who "the beloved" in Shakespeare's Sonnets, and the same can be said in Spenser's Amoretti. Spenser declares in sonnet 74 that the three Elizabeth (his mother, the queen, and his wife-to-be) gives him the poetic inspirations. However, it is not only difficult but also somewhat naive to point out which Elizabeth is portrayed in a particular sonnet, for all the three Elizabeth figures appear together in the work as a whole. In Shakespeare's Sonnets, too, "the beloved" takes several different forms. In Spenser's work, the fact that "the beloved" most often takes a form of predator or tyrant suggests that the poet is keenly aware of the presence of the queen and tries to convince the monarch of his presence. To Shakespeare, however, the queen is no more than an important sponsor, and thus his ambition goes towards his own reputations as a great poet. Shakespeare variously employs Spenser's theme and imagery in his Sonnets, but his never accepts the conventions or authorities of the elder poet in his work, so as to prove himself as great a poet as, or better poet than, Spenser.
임성균 한국중세근세영문학회 2003 고전·르네상스 영문학 Vol.12 No.1
Satire and Paradox: Reading John Marston's The Malcontent