해체주의적 놀이공간으로서의 메타연극

이봉환 진주산업대학교 1999 산업과학기술연구소보 Vol.- No.6

This thesis studies the possibility of deconstructive metatheatre as a playspace in Pirandello`s Six Characters in Search of an Author and Beckett`s Waiting For Godot. Pirandello seems to be interested in the problems between reality and illusion, realism and anti-realism in life or theatre. He has made efforts to deconstruct the thick wall that lies in the realistic play derived from Plato and Aristotle, as well as the deep difference between life and theatre, actor and character, a text and a work, author and spectator. He uses such several techniques as signifiant wordplay, transformation, telegraphic word, position change, linguistic violence, pantomime, silence to deconstruct all theatrical obstacles for a shocking pleasant improvised performance. As he doesn`t regard real world and theatre as an organic complete unity full of absolute meanings but a plastic pluralistic playspace of disbelief and struggle, he searches for a new writing method based on Strindberg`s expressionism, Breton`s surrealism, and Artaud`s cruel ritualism. Although his experimental dark comedy, Six Characters in Search of an Author may be a mixture of tragic and comic, fantastic and realistic, it must be the beginning of anti-realistic performance followed into poststructual super-realistic theatre of Shepard and Mamet. Its intertexuality and signifiant wordplay connect itself with Derrida`s and Barthes` new creative writing based on Nietzschee`s pleasant aesthetics, that destroyed the binary linguistic system of western metaphysical philosophy. Influenced by Strindberg, Pirandello, Artaud, Breton, Sartre, Camus, and joyce, Beckett sings the song that life is a meaningless and monotonous performance of endlessly repeated routine. To suggest the debasement of metaphysical linguistic philosophy and the consequent breakdown of communication between inactive weak men organized by Rousseau`s and Descartes` reasonal philosophy, Beckett uses such linguistic tricks as word game, pun, allusion reminded of Williams` and O`Neill`s clownish black comedians that describe signifiant linguistic play for survival. Beckett deconstructs traditional concepts of realistic drama, as well as mechanical human relationships brought forth by formalistic structuralism or semiotics. His representative expressionistic absurd work, Waiting for Godot deals with the important dark problem of lingulsitic paralysis in majour signifiant signs(characters) that are psychically isolated from one another despite physical proximity. Trying to give spectators and characters the alternative to relieve them in entropy of linguistic stagnation, Beckett creates a stubborn comedian who can have a free command of word game with spiritual composure and pleasant aesthetics. Vladimir repeatedly talks to Estragon who gradually turns weak in the dramatic processing, to survive together in the dark negative situations. Although he may not be such active imaginative poet as William`s or O`Neill`s powerful insane clowns, Vladimir doesn`t stop his disseminating actions and meaningless signifiant wordplay like differance of traces in the black space that nothing happens.

Eugene O´Neill과 Sam Shepard의 신화해체와 다의성 : Desire Under the Elms. Buried child를 중심으로

이봉환 진주산업대학교 1999 論文集 Vol.38 No.-

This thesis studies Eugene O'Neill's Desrie Under the Elms and Sam Shepard's Buried Child to find out the false, hypocritical unreality of American traditional family myth that many people have thought of as the most important basis in their happy lives since they got here searching for the perfect freedom of religion and politics. Most Americans have cherished such a happy myth of family home that has supported the hardened system of social order ingeniously forged by the governing class of capitalism. But O'Neill and Shepard have realized that a happy family myth in modern American society is only an unreal, made-up dream. So they have tried to destruct the illusionary worth-sign system, and to rebuild an appropriate creative myth with powerful primitive sexual energy and dialogical imagination for survival through their representative experimental plays. While O'Neill and Shepard make such uncontrolled, eccentric, violent and psychological stages that bring both spectators and actors into aphasia and confused embarrassment. Arthur Miller and David Mamet depict the unreal artificiality of American dream myth through Death of a Salesman and Glengarry Glen Ross. In their anti-realistic experimental texts, they sharply indicate that the myth system in family and society must have been forged by absolute leaders of power in religion and politics. This myth goes like this at home and in society : Within the sanctity of the family home and community, there lies security, order, love, understanding, and success; with the presence of these qualities, the home and the community are assured of happiness and success. This kind of forged myth has been cycled and re-cycled since the rise of the middle classes 150 years ago and is still forcefully present with us. It usually gains popularity during conservative periods; the Victorian era and the 1950s are two notable examples. During the 1980s, the Reagan Administration was highly effective in exploiting the myth of family values to further its own conservative policies. Most recently, family values became a rallying cry for the far Right during the 1992 presidential campaign. It is striking that during conservative, even reactionary times, dramatists have written plays that radically re-define the traditional family and social success structure. Invariably, it seems the important motives of psychopathic incest and materialistic desire can be found in these plays. Some of the playwrights who have, in varying degrees, used incest and success desire to attack this myth system are Henrik Ibsen, Strindberg, Bernard Shaw, Tennessee Williams, Harold Pinter, Joe Orton including the above 4 writers. It is true that O'Neill domesticated Greek classical tragedies, Strindbergian domestic drama. Ibsenesque social plays, Irish dramatic tone poems, and expressionist melodramas. Especially, O'Neill uses incest as a potent weapon to frighten the hardened patriarchal system. He knows that it apparently means for anti-family, anti-law, anti-state, anti-God, which is antithetical to everything that this hierarchy represents. That's why Desire Under the Elms has the same primal drives, desires, demons, and taboos found in the plays of Aeschylus, Sophocles, and Euripides. Shepard's magic realistic dramas are usually composed of polyphonic rhetorics, multiple structure, primitive violence, western myth, cruel performance, parody, transformation, intuition, insight, humor, wit, mystery, silence, collage, and detective story. Influenced by Strindberg. Pirandello, Brecht, Artaud, Nietzsche, O'Neill and Shepard continuously sing American western myth as an alternative of American family's destruction. Although Shepard does not directly refer to Jacques Derrida and Lacan, his intellectual force and dramatic philosophy are similar to Derrida's deconstructionism. We can easily see Dionysian primitive carnivalism and deconstructive signifiant wordplay in the dramatic way that Shepard approaches such texts as cultural mythology, popular culture, and the entire fabric of civilization. Most critics agree that Shepard's plays involve a number of recurring themes : the waning power of cultural mythology, the decline of the American dream, the questionable value of popular culture, the decay of the family myth. But there is always little agreement as to the importance or the interpretation of these themes. For instance, Shepard repeatedly turns to the mythology of the American west as a source and a subject, but it is never clear whether he praises it for its lost value code or curses it for its importance in the face of popular culture. Even though his strategy is not apparent in directing his plays into super-realistic realm, he likes to draw polyphonic, indeterminate texts in order to show the omnipresent ambiguity and uncertainty of life and reality with post-structuralist differential natures of language. Recognizing the limitations of Ferdinand de Saussure's Semiotics, structuralistic linguistics based on logocentrism and phonocentrism, Shepard uses Derrida's difference to avoid the well-made play from Aristotle. In Buried Child. Shepard denies such logocentric concepts as truth, reason, origin, author, and work with characters' signifiant wordgame and multiple linguistic rhetorics. Deconstructing these binary metaphysical hierarchies. Shepard wants to recreate a new pleasant playspace with primitive violence, romantic imagination, fancy, dialogical imagination, carnivalism, and multiple structure.

ATM 네트워크를 위한 정보보호 모델

이봉환 대전대학교 산업기술연구소 1999 산업기술연구소 論文集 Vol.10 No.1

ATM(Asynchronous Transfer Mode) is seen to be a dominant technology for B-ISDN. ATM is able to support a variety of applications including voice, data, image and video with different quality of service requirement. This paper addresses ATM network security architecture for secure data transfer in B-ISDN. It provides an overview of ATM security as specified by the ATM Forum Security Working Group. This paper then considers the placement of a security layer in user plane of B-ISDN PRM (Protocol Reference Model). Finally, the paper presents the design requirements of ATM networks security architecture.

하둡 환경을 이용한 타자 역학 기반 사용자 인증

이봉환 大田大學校 産業技術硏究所 2006 論文集 Vol.31 No.1

본 논문에서는 지속적으로 변화하는 사용자의 키스트로크 다이나믹스 데이터를 이용하여 사용자 인증성공률을 향상시키기 위해 대용량의 키스트로크 다이나믹스 데이터 처리가 가능하도록 하둡 환경과 연동하는 방법을 제안하였다. 사용자의 키스트로크 다이나믹스 데이터가 점진적으로 변화하여 새로운 타자패턴을 입력하고 다시 학습을 시켜야 한다는 점을 해결하기 위해 Windows API를 이용하여 지속적으로 들어오는 사용자의 키스트로크 다이나믹스 데이터를 수집하고, 휴리스틱을 이용한 전처리 과정을 통해 데이터를 처리하였다. 이 데이터를 Flume을 통해 하둡에 저장하였으며, 수집된 키스트로크 다이나믹스 값의 평균값과 표준편차를 이용하여 시간 경과에 따른 오인식율을 하둡 환경과 그렇지 않은 환경을 비교하여 결과값을 도출하였고 이를 통해 하둡 환경을 연동하는 것이 보다 효율적임을 실험적으로 검증하였다.

u-Healthcare 시스템을 위한 RBAC-WS

이봉환,조현숙,Lee, Bong-Hwan,Cho, Hyun-Sug 한국정보처리학회 2010 정보처리학회논문지 C : 정보통신,정보보안 Vol.17 No.2

IT 기술의 발달에 힘입어 환자들의 위치에 상관없이 편리하게 진료가 가능한 유비쿼터스 헬스케어시스템이 개발되고 있다. 그러나 사용자의 수가 급증하고 다른 병원의 의사나 연구원 또는 환자의 가족들에게 의료 정보를 공개하도록 의료법이 개정되면서 사용자 관리와 프라이버시 침해라는 문제가 발생하였다. 이러한 문제를 해결하기 위하여 본 논문에서는 역할 기반 접근제어 모델에 기반한 사용자 접근 모델은 제안한다. RBAC 모델은 효율적인 사용자 관리 및 접근 제어를 제공하지만, 악의를 가진 사용자가 권한이 있는 역할을 가지고 정보를 유출하고자 할 경우 막을 방법이 없다. 이러한 RBAC의 취약점을 보완하기 위하여 "working status" 파라미터를 역할 속성과 연동하는 RBAC-WS 모델을 제안하였다. 역할에 working 속성을 연동함으로써 허가를 받은 사용자라 하더라도 업무 외 접근을 원천적으로 봉쇄함으로서 내부자에 의한 정보유출 문제를 해결하였다. 또한 RBAC을 위한 함수를 개발하여 도메인이 서로 다른 헬스케어 시스템에서도 유용하게 사용될 수 있도록 하였으며, RBAC-WS 모델의 기능 분석을 위하여 Healthcare 시스템 중 널리 사용되는 PACS에 적용하였다. Information technology is being applied to the development of ubiquitous healthcare system, which provides both efficient patient care and convenient treatment regardless of patient's location. However, the increasing number of users and medical information give rise to the problem of user management and the infringement of privacy. In order to address this problem we propose a user access scheme based on the RBAC (Role Based Access Control) model. The preceding trust management model for Grid security, FAS(Federation Agent Server), was analyzed and extended to provide supplementary functions for role-based access control in u-Healthcare system. The RBAC model provides efficient user management and access control, but very vulnerable in case when one with valid role tries to leak confidential inner medical information. In order to resolve this problem, a RBAC-WS (Work Status with RBAC) model has been additionally developed which allows only qualified staffs to access the system while on duty. Th proposed RBAC and RBAC-WS model have been merged together and applied to the PACS (Picture Archiving and Communication System).

The Adding Machine에 나타난 지적 가벼움의 패러디

이봉환 진주산업대학교 2000 論文集 Vol.39 No.-

This thesis studies how light man's consciousness and mind are in the modern society, and how he/she has been completely organized by the fast changing rules of modern civilization based on only economic and materialistic profits. Elmer Rice, in his famous expressionistic drama of The Adding Machine, points out such a serious problem that human beings try to comply with their organizations not only to take success opportunities but also to survive themselves in the actual world. Rice uses various expressionistic techniques that Strindberg and O'Neill enjoyed doing to emphasize man's existential dangerous situation depreciated by machine. It is remarkable that Rice, like Swift and Rabelais, suggests the revival of man's free will and unlimited imagination as the methods to resolve human spiritual paralysis.

21세기의 교실에서 외 2편

이봉환 심미안 2011 문학들 Vol.- No.26

WWW를 이용한 전자과제 처리 시스템 개발

이봉환 大田大學校 産業技術硏究所 1997 산업기술연구소 論文集 Vol.8 No.1

본 논문에서는 대학의 연구자들로부터 과제제안서를 인터넷을 이용하여 처리하는 시스템을 개발하였다. 인터넷에 접속되어 있는 연구자 단말, 연구과 호스트 및 과제 수여재단의 호스트 사이에 제안서를 네트워크를 통하여 전송하고 제안서 검토, 결재, 평가 등의 업무도 온라인으로 처리한다. 연구자는 단말에 Web 브라우저와 제안서 작성을 위한 워드 프로세서를 설치하고 대학 및 과제수여재단에서는 과제 처리를 위하여 Web 서버 및 홈페이지를 구축한다. 연구자는 과제수여재단의 Web 서버에 접속하여 표준서식 파일을 다운로드하여 제안서를 작성한다. 연구자가 작성한 제안서를 대학의 연구과 Web 서버에 접속하여 인증 절차를 거친 후 과제를 업로드 할 수 있도록 CGI(Common Gateway Interface) 프로그래밍을 하였다. 또한 연구과에서 연구자들로부터 접수된 과제 제안서들을 일목요연하게 열람할 수 있는 기능 및 다운로드하여 검토할 수 있는 기능을 구현하였다. 검토가 종료된 과제는 대학 내의 결재권자에게 송부되고 결재를 요청하는 전자메일을 보내게 된다. 과제 결재를 요청 받은 결재권자는 충분한 보안장치를 거쳐 결재 후 해당 제안서를 연구과로 넘겨주게 되고 연구과에서는 과제수여재단의 Web 서버에 접속하여 여러 과제를 한꺼번에 업로드 시킨다. 과제수여재단의 Web 서버에는 각 대학에서 접수되는 과제를 기관별로 분리하여 열람할 수 있는 기능을 구현하였고 검토가 종료된 과제의 평가를 위하여 평가 위원을 위촉하여 평가를 의뢰하고 평가 결과를 과제수여재단의 서버에 직접 입력할 수 있는 기능을 구현하였다. 이러한 과제처리 시스템은 연구과제를 공모하는 모든 기관의 효율적인 업무처리를 위하여 활용될 수 있다. This paper presents a proposal processing system which can transmit and receive research proposals using the Internet. The system is composed of three parts : principal investigator's terminal, host computer of university's proposal processing department, and host computer of research foundation. The key functions of the system include file download, upload, directory listing, and authentication among principal investigator's terminal, Web server at the university, and Web server at the research foundation. A Netscape Web browser is to be installed at researcher's terminal while a Web server and home page for proposal processing have been constructed at university's host computer. This Web server can receive proposal from principal investigators and provides file listing and authentication. CGI(Common Gateway Interface) programming techniques have been used to deal with these jobs. A separate Web server was constructed at the host computer of the research foundation to receive proposals electronically from universities. Personnel at the research foundation can retrieve the incoming proposals and send them to the preassigned reviews to evaluate the proposals. The reviewers can access the Web server at the research foundation and input scores of the evaluated proposals. The final scores from all reviewers are automatically summed up and averaged. The implemented system can be utilized as a proposal processing system of national research foundations.

김병철의 헤밍웨이소설 번역작업의 자구 해석적 등가성의 한계

이봉환,변문균 현대영미어문학회 2015 현대영미어문학 Vol.33 No.3

This paper deals with two directions, which are the necessity of new translative strategies and introspection regarding the literally interpreting-equivalence principle and short culturological awareness inherent in Byungchul Kim’s translative works on Hemingway’s major novels. His chief achievements are like these: first, he was a prominent professor of American literature especially in Hemingway. He translated numerous Hemingway’s works into Korean language based on incomplete equivalence principle. Although his abundant works might be the result translated literally lacking in linguistic and culturological awareness, he is the incipient translator who concentrated on Hemingway's novels from 1950's to 1990's. Second, he researched the introduction of western literature into Korea with devoted endeavors for approximately 30 years. By the middle of 1950's after liberation and war, Korean government realized the urgency of introduction of American and English literature to strengthen the capitalistic culture. Under government's financial support and supervision for the systematic translative plan of American literature, many professors translated famous originals based on the weak equivalence theory. Some of them could not avoid in errors and plagiarism in their translative works without linguistic and culturological backgrounds. Such fundamental and serious problems in the translative process have not been disconnected until 2015.

안개 낀 칠산 앞바다 저녁 불빛 외 1편

이봉환 심미안 2014 문학들 Vol.- No.35