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유은옥 ( Eun Ok Yoo ),정삼호 ( Sam Ho Jung ) 중앙대학교 생활문화산업연구소 [ 구-생활과학연구소] 2005 생활과학논집 Vol.22 No.-
In the 21st century, a mixed phase among hopeful expectations of the century, senses of alienation from the rapidly changing present, and nameless fears of the future has appeared The more people are forced to think reasonably and live a mechanical life, the more they want to be held in respect and find a clue to the solution of a problem from the past reminiscence. Reflecting such people`s desire, romantic style has boomed again from 2000 as one of powerful fashion trends. Rebelling against the Enlightenment emphasizing the use of reason, romanticism is an artistic and intellectual movement originating in Europe in the late 18th century and characterized by a heightened interest in the subjectivity, and self and freedom of human being; romantic style is the affected fashion style. Under the influence of postmodernism that has greatly affected modem culture since the mid 20C, a fashion trend appearing in a season induces expectation or vogue of various trends under interconnection. Romantic style that has appeared again from the early 21C is also categorized into neohippy romantic style, retro romantic style, oriental romantic style, and sporty romantic style. Sharing the trend romantic style despite different characteristics by styles is the role of decorative design. It seems that decorative design requiring much time and devotion in modem society where mass production and consumption are prevalent is nearly old-fashioned and goes against the times, but people rather prefer it by virtue of such emotional factor. Moreover, the addition of decorative design enables formation of a differentiated image and production of high value added clothes in the fashion industry. As romantic style characterized by decorative design appears on a regular basis whenever human emotion is highlighted, further study shall be continued.
유은옥 ( Eun Ok Yoo ) 중앙대학교 예술문화연구원(구 생활문화산업연구소) 2014 예술문화융합연구 Vol.2 No.-
Mass production, consumption and disposal which characterize the industrialized society in the contemporary area have exceeded the Earth’s selfpurification capacity and reached to a point where we can no longer overlook the environmental issues of the Earth. Thus, the design also considers the subject of the environmental protection across entire process including the development, production, distribution, consumption and disposal and such flow has created a trend called ‘eco fashion design’. The products which has reflected eco trends is already recognized as a ordinary product line overseas and expanding to the variety field whereas in Korea, the fashion design for environment had its start since 2008. It is developed mainly in the areas of the children’s clothing, innerwear, outdoor and sportswear and also the number of small-sized specialized companies of eco fashion design which perform the recycling design is on the rise. Fashion design for environment in Korea was explored and the results showed that it can be divided into three designs: organic design, re-design and multi-functional design. Organic design is focused on ‘health’ and made using the natural fabrics, eliminating the decorations which may cause harm to the environment. Re-design can be described as an upgraded form of the recycling fashion from the 20th century. The wasted fabrics after main cutting were used and transformed into Haute Couture product with the distinct design values after going through the custom hand craftsmanship. Lastly, for multifunctional design can be divided into the design by the functional new fabrics with the cutting-edge scientific technology, the smart wear design with the attached computers or machines and transformable design where the design can be changed to be multi-functions with one clothing. In this study, the transformable design is reflected on the work. As such, organic design, re-design and multi-functional design are bringing the qualitative changes in our society with the sustainable use and wise consumption culture which do not harm the global environment. Fashion design for environment must be creative and innovate, and a design in pursuit of the future of the mankind. In order for fashion design for environment to grow in the Korean market, it should prioritize the diversity and distinctiveness. For this, Korean fashion brands must expand the area of fashion design for environment and further strive for creating designs that can satisfy the high sensitivity of consumers.