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방민호 춘원연구학회 2023 춘원연구학보 Vol.- No.27
This paper pays attention to the fact that the logic of non-conversion is prominent in Kim Dong-ri's activities and the creation of novels in the late Japanese colonial period, and analyzes this with a focus on problematic works such as 「Sul(Alcohol)」, 「Poet of the Ruined City」, 「Toad」, and 「Hongu(Dark Street)」. From the late 1930s to the first half of the 1940s, Kim Dong-ri continued to maintain a tense confrontational attitude with Japan's ruling strategy, and this forms the internal logic of his autobiographical novels. Kim Dong-ri's non-cooperative attitude tells us how he was able to gain literary hegemony after liberation. Kim Dong-ri was a writer who inherited the artistic literary tradition that continued from Guinhoe to 『Munjang』, while at the same time overcoming the difficulties of the late Japanese colonial period with a non-forward attitude.