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金準玉 여수대학교 1998 論文集 Vol.12 No.1
This essay seeks to analyze both Lee Yi's poems dealing with nature and his views on literature in terms of an explication of artistry in the Chosun Dynasty literature. Although Lee Yi was not the man of literature, he had an independent and advanced literary views. He considered literature as an illustration of Tao or an expression of clean and sincere emotion, which we cannot find in other scholars. Such a literary view is based upon his academic theory, Sungriron. His poems of nature express his pure self as well as cleared spiritual world. In those poems, he does not show moralistic, didactic, and philosophical interest. That is, his literary views and works, we find that he sought to build a literature free of moral, ethical, philosophical interest, even though he was a philosopher. This element indicates that sungrihak itself pursued the ultimate virtue and beauty.
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金準玉 여수대학교 1992 論文集 Vol.6 No.-
The purpose of this paper is to examine the idealistic background and expressive aspects of Sansu Shi sung by scholars in Chosun danasty and further to demonstrate the diversity and artistic properties of Korean classical literature. The scholars in Chosun dynasty persisted in living their lives in Nature so that they could find their purely good minds or obtain the profound truths behind nature. Such an intentional lives are mirrored in the Sansu Shi. The verification of these facts are made by examining the expressive aspects of Sansu Shi. It is first treated how the scholars understand nature, and then the literary significance of Sansu Shi. This paperis confined to discuss works of three representative Confucianists, that is, Hwang Lee, In-hoo Kim, and Yi Lee. The study of the scholars made us find the fact that they used to live in nature in order to cultivate their characters very well and beautifully and to understand the profound truths from nature. The nature, where they began to live with the idea of accepting the original lives of Confucianists, Provided them with a place to cultivate the right and pure minds and made them acquire Confucian learning, Thus, it can be said that Sansu Shi underlay this consciousness. The Sansu Shi is divided into three types: one which depicts nature as it is, one which represents pleasant lives in nature, and one which is written in Confucian poetic diction. The important thing is that these types can be only explained by Confucianism. It is the literary significance of Sansu Shi that it has a status as pure literature in spite of their idealistic expression. The research on the expressive aspects of the Sansu Shi permits us to find the facts that the Chosun literture had excellent artistic properties and various types. Now, all that we have to do is to analyze many writers and literary works together with many other poems from this point of view.
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金準玉 여수대학교 1995 論文集 Vol.9 No.-
Appeared as a governing-principle with establishing Choson Dynasty, Confucianism was only one point in accepting and understanding all civilization. Literature, Confucianism establishing iteself as a view of literature, had also developed from the useful viewpoints. So, it seems that the foundation of literary ideology can be shown to us. The present writer had divided the literary trend of Choson Dynasty into two sections:just ethical JeDo Literature(載道文學) and SoonJong Literature(醇正文學), pure emotion without any hypocrisy or manipulation though some philosophical thought. This thesis is studied aspects of Haso kim In-hoo's(金麟厚). SoonJ??ng Literature, which had left about 1600 poems in Chinese and Korean in order to prove the above theory objectively. Haso did not profess himself to be a post though he left a lot of poems behind. We can not find any evidences to have developed poetic theory or criticism, however, we can analogize his idea of literature through his saying or poems. it was certain that haso regarded the Anatects of Confucius, The Great Learning, the Doctrine of the Mean as his literary text, Especially, he regarded The Book of Odes as a beginning in the Confucian classics and emphasized that nothing is more important for scientists to study than anything else. According to this, the present writer is sure that his poetic line or idea of literature is Confucianic thtoughly. these fasts reveal themselves in his poems. Choson Dyasty's scholars stuck to their opinion that poet had to contribute to the social enlightement, or sing the root of universe or mythitical nature. Haso complied with this opinion completely and used the content of the Confucian classics as poetic words, or made natural things like the Four Gracious Plants or landcape of his expressional subjects. he set up the background of pure and clean natural thing or landscape with the attitude of leaning, and expressed properly man's such as pure and natural facts in his poems of spritual being and landscape. What other poets in Choson Dynasty had background of pure and clean natural things or landcape, and sublimed them artistically, in case of seeing with today's viewpoints, is able to say "pure poems". this thesis will be a usefull materal to understand pure poems in Choson Dynesty.
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