http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
미술사와 교재 : 한국근대미술사와 교재, 「한국근대미술사와 교재」에 대한 질의, 김홍남 선생님의 질의에 대한 답변
홍선표 한국미술사교육학회 2005 美術史學 Vol.19 No.-
A new media age has arisen in response to the incredible developments in high-tech electronic media, and it is fundamentally changing the ways in which knowledge and information are aquired. All knowledge is in the process of being converted into either electronic or video media, after which it will be stored in a computer network that anyone can access and use, and that connects the entire world. In the future, the production of knowledge will also be governed by the choices of consumers. In schools, the site of education, textbooks, the official instrument for the transmission of knowledge and information, are also being reevaluated, and it is thought that they must be redeveloped in order to meet the demands of this new media age. In particular, when considering the methods of acquiring and recognizing knowledge and information of a new generation of learners who find greater interest and stimulation in electronic and video media, the development of hyper-texts, or hyper-media textbook formats, and multimedia reorganization is urgent. Art history, which uses visual materials, has certain relative advantages over other fields in the new media or video age, but the debates on textbook development that accompany the changes this age brings are still in an incomplete state. This paper, prior to actual discussions of texbook development, explored the implementation of new content, which is linked to the research directions and results of academia. Among those areas explored, as one part of the search for new content concerning the narrative of modern Korean art history, it critically examined the junior high and high school text books, which have been in use since 2001 and 2002, respectively, as well as the contents of those general introductions that are used as textbooks for undergraduate and graduate students.
홍선표 서울대학교 규장각한국학연구원 2010 한국문화 Vol.49 No.-
As Lu Ji (261-303) of the Western Jin period already affirmed, pictures are widely recognized as the best medium for preserving the shape of objects. Similarly, Silla’s Choe Ch’iwŏn (857~?) said “Drawing is preferable to writing,” and Yi Kyubo (1168~1241) of Koryŏsaid that when describing an object, the effect of drawings surpassed the function of poetry because of its ability to express shapes experienced through the visual sense. Also, King Sejong (r. 1418-1450), who believed that drawings that can be seen with the eyes were “truly beneficial” in understanding reality and in moving people’s hearts, said in compiling the Samgang haengsildo that “I was concerned that the simple-minded people wouldn’t comprehend easily, so added shapes in the hope that kids playing on the road and even commoner women living on an alley would easily understand.” He was demonstrating the utilitarian use of drawings for public welfare through preserving and spreading the visual aspect of shapes of objects. Among art pieces that express shapes of objects through drawings, images related to customs and manners are especially important as they serve as detailed visual recordings that show secular and social aspects of the era before photographs appeared. Especially the images of plays and entertainment in the nectar ritual paintings, which deal with Water-Land rituals for the transfer of merit to the deceased, are valuable as visual resources for the Chosŏn Dynasty’s recreation and performance culture, along with the actors performing. What makes them even more valuable is that they deal with subjects that are not even recorded in genre painting of ‘vulgar customs.’Images of plays and entertainment have so far been mentioned only as one motif of the nectar ritual paintings, so that its real significance remains inaccurately explained or unclear. The historical meaning of the changes in the images of plays and entertainment throughout more than 300 years from the 1580s to the first half of the 20thcentury thus remains to be studied. This paper has analyzed the image of plays and entertainment depicted in around 50 of the 66 nectar ritual paintings that are known today to reveal the types of events and actors and study their changes and meaning. Two types of plays and entertainment, focusing on either acrobatics or pole climbing used to be drawn separately but eventually were depicted together in one scene, showing up as part of the performance of itinerant entertainers or shamans. Even the dress changed from the image of actors at governmental events to the various attires of artists of wandering artists who frequented markets and villages. And while at first the performers acted as substitutes for the transfer of merit, being depicted in the original shape of people who later became wandering spirits, later they appeared together with viewers at the Buddhist All Soul’s festival on the full moon of the seventh lunar month and other events as actual performers in events depicted in a kind of genre painting. Such changes are understood as reflecting how the government-centered plays and entertainments were starting to decline, and the performers sought the patronage of merchants and thus moved towards markets and commoners in order to survive.
홍선표,황재훈 한국지역개발학회 2012 한국지역개발학회 세미나 논문집 Vol.2012 No.3
Due to industrial revolution, various problems including congestion by urban population concentration, environmental pollution and social corruption have been entailed and a plan (program) for solving the problems of industrial cities as a consequence of this situation has been mapped out. At this time, ideal cities like The Garden City, Cite Industrille, The Radient city and Broadacre City have been emerged. Elements of spatial construction that could be commonly observed in these ideal cities include community space such as central public space, open space and central square. In this study, community space that has been attempted to be realized in each city including complex community plan of Sejong City currently under progress in our country, in addition to ideal cities as mentioned hereinabove, was observed. Modern value of urban planning theory is to be observed by identifying features and pattern of community space of ideal urban planning suggested by preceding researchers instead of considering community space only based on present standard and additionally, necessity of public space as a part of urban construction is hereby intended to be reconfirmed.