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杨波,黄秀坤 중한연구학회 2023 중한연구학간 Vol.0 No.30
使事用典是文学的一种创作方式,也是一种修辞方式。它以一种替代性、浓缩性的叙事,展 现出曲折深婉的抒情特点。《破闲集》是高丽王朝的第一部诗话,其记录的文谈、诗话、诗作等大 量使事用典。这些使事用典来自同一时期或更早的中国古代文学、史学作品。从理论层面上,李 仁老谈到用事修辞论与用事批评论,他的主张与宋诗话一脉相承。反对以李商隐为代表的过多、 过于生僻的用事,但又推崇自然无痕的炼字用典;从实践层面上,《破闲集》中的使事用典可以分 为典出历史史实和典出文学作品两类。其中提到中国历史人物、历史事件共有26则,涉及历史事 件40余起,历史人物30余人。唐宋文学作品和文人轶事更是屡见不鲜。显然,《破闲集》无论是 用事理论还是用事类型及特点都与中国文学有着极为密切的关联。这种关联既体现出中国古代 文学与朝鲜半岛的历史渊源,显现出高丽王朝对当时中国古代文学的历时性和共时性的接受。更 展现出高丽文人在倾慕、学习中希求建立民族特色,媲美进而超越中原文学的时代风尚与民族 意识。
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杨波 한국도자학회 2021 한국도자학연구 Vol.18 No.2
In the 1980s and 1990s, the western contemporary was influenced by the surrealism after the 85 NewWave Art Movement, and its aesthetic concept has penetrated into various art fields in China such as painting, sculpture and ceramic. In terms of the ceramic art, a group of famous Chinese artists who represented by Wen Sen, Zeng Zhangcheng, Ma Yiying and Lei Ziren have presented a unique surrealism style through their excellent ceramic works. From the 1990s up to now, the surrealism has shown great vitality in the artistic making of contemporary Chinese ceramics, becoming an influenced development in the creation of contemporary young ceramic artists in China. This article will focus on the collation and analysis of the domestic and foreign surrealist artists (including their works), and discuss the surrealism in the Chinese contemporary painting, sculpture, ceramic and other artistic fields in detail. Via the analysis of the related authors and their works, the appearance of contemporary Chinese ceramics will be studied.
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