선자령 겨울산행기

崔泳勝 법조협회 1998 法曹 Vol.47 No.4

엘리엇(T. S. Eliot) 비평과 여성주의

최영승 동아대학교 인문과학대학 영어영문학 1995 동아영어영문학 Vol.11 No.-

One of the most striking aspects of modern literature can he said to be a rising feminism, and feminists have contrbuted a great deal to our understanding of twentieth century woman writers, but they limit their understanding of both men and women writers by insisting on interminable sexual warfare as an explanation of literary modernism. Especially Sandra M Gilbert and Susan Gubar among them seen dedicated to perpetuating wars between men and women by criticizing a massive critic T.S. Eliot. In this respect this thesis aims to show the right way to approach his criticism by studying their methodology to maintain the polarity in his critical writings. Gilbert and Gubar insist that literary history is an exorcist designed to retrieve male heroes and that tradition involves an attempt to define and protect the terntory of male writers, They also, by using binary logic, devaluate Eliot's critical views on tradition and unified sensibility. But their strategy makes it impossible for them to see the complexity and subtlety of his thoughts. While undermining binary logic, he recovers harmony. He argues in his early philosophical writings that all oppositioins and binary sets are unstable Because he convicts that fruitfulness is only possible through a combination of masculine and feminine values. Therefore Gilbert and Gubar, by polarizing men and women, eliminate all of the complexities in Eliot's literary criticism and completely miss the point of his concept on complementarity He clearly suggests that unity can be imagined by insisting on difference.

앤 섹스턴(Anne Sexton)의 패러디(parady)에 나타난 남성과 여성의 역할

최영승 신한영미어문학회 1997 새한영어영문학 Vol.36 No.-

Anne Sexton, in her Transformations a parody of Grimm's fairy tales, concerns with the roles of men and women, expressing the actual aspect of their patriarchal society which women are brought pressure upon by men. Her feministic attitude against patriarchy arises from her strong antipathy to the traditional views of women. She loses her won identity in her role as housewife and her double egos as mother and poet are divided in her most poems. In this respect this study aims to enlarge the scope of understanding Sexton's parody poems by making clarify the meaning of the roles of characters in Transformations. 'The Maiden without Hands' expresses love and lust of a man in patriarchal society. And 'Twelve Dancing Princesses, also represents the typical image of the dictatorial father. Sexton's interest in incest embodies 'Briar Rose' in which father plays a role of lover to his daughter. While Sexton describes the pretty princess as a stupid rabbit in 'Show White and the Seven Dwarfs' and she brings a cannibal witch into 'Hansel and Gretel'. She also compares an evil woman with a wounded mother in 'Rumpelstiltskin'. In 'The Little Peasant' Sexton Draws an independent woman based on the theme of adultery. Therefore Anne Sexton tries to strengthen the creative power of women for recovery of dignity through the role changes in her parody Transformations. Her gynocentric discourse can get the power through the relationship between men and women. In her poetry men exist in the center of dignity and women do not be excluded from its center and marginalized.

The Cocktail Party의 主題 : 疎外와 救援

崔瑩勝 동아대학교 문과대학 영어영문학과 1986 동아영어영문학 Vol.2 No.-

사인이 위법하게 수집한 증거의 증거능력

최영승,정영일 경희대학교 법학연구소 2013 경희법학 Vol.48 No.4

The admissibility of illegally obtained evidence by private person is a matter of Criminal Procedure 2 of Article 308. That is related range of application exclusionary rule of illegally obtained evidence. To prevent illegal investigation is the primary objective of exclusionary rule and Revised Code of Criminal Procedure 2007. But fundamental right has an effect with respect to the individuals according to the effects on the private people and obligations to guarantee of fundamental right by nation. This means that the exclusionary rule of illegally obtained evidence may affects the private people. This is why I describe this rule in terms of this. The term illegally obtained evidence by private person is obtained by crime(burglary etc.) or secretly collecting by private. Recently, Infringement of fundamental rights works irrationally by recording and image photographing in individuals. Country was no longer able to ignore this. This is because the state has a obligation to protect human dignity. This situation tells us that exclusionary rule of illegally obtained evidence applied to individuals. Nevertheless, the case kept a negative attitude in this rule effects on the private people. In this paper, I am examining first theoretical basis of the effects on the private people of this rule and then specific patterns focusing on the main types. The constitutional basis and specific types are the core of this paper. Which include evidence obtained crime, secretly recorded conversations between the parties, Secretly filmed film producer etc. In summary, Let us include Legal relationship between private person in applications scope of exclusionary rule. In other words, illegally obtained evidence by private person exclude from world of evidence law because of an essential infringement of fundamental rights. This is to ensure due process and fundamental rights are thoroughly. Then, let’s solve by the profit comparison. Eventually the focus of this article is to ensure fundamental rights thoroughly through application of exclusionary rule of illegally obtained evidence between private person. 사인이 위법하게 수집한 증거의 증거능력은 형사소송법 제308조의2의 문제이다. 이는 위법수집증거배제법칙의 적용범위와 관련이 있다. 위법수집증거 배제법칙은 2007년 개정 형사소송법에서 도입된 것으로 수사기관의 위법한 행위를 방지하고자 하는 데 그 일차적 목적이 있다. 그러나 기본권은 대사인적 효력에 의하여 그리고 국가의 기본권 보장의무에 의하여 사인에게도 그 효력을 미친다. 이는 헌법상의 적법절차원리를 내용으로 하는 위법수집증거배제법칙이 사인에게도 효력이 미칠 수 있음을 의미한다. 이러한 관점에서 이 법칙을 서술하는 이유가 여기에 있다. 여기서 사인이 위법하게 수집한 증거란 사인이 범죄행위(주거침입 등) 등을 통하여 불법적으로 수집하거나 혹은 당사자 몰래 수집한 증거를 포함하는 개념이다. 최근 정보통신기술의 발전과 함께 사인간의 통화녹취나 영상촬영에 의한 기본권침해가 무분별하게 이루어지고 있다. 이에 국가도 더 이상 이를 무시할 수 없는 지경에 이르렀다. 국가는 궁극적으로 인간의 존엄을 보호해야 할 헌법적 의무를 지고 있기 때문이다. 이러한 상황은 위법수집증거 배제법칙이 사인간에도 적용되어야 함을 말해준다. 그럼에도 불구하고 판례는 지금까지 이를 사인에 대하여 인정함에 있어서 소극적인 태도로 일관하여 왔다. 이에 이 글은 먼저 이 법칙의 대사인적 효력의 이론적 근거를 살펴본다. 그런 연후에 현실적인 주요 유형을 중심으로 구체적인 논의를 진행하기로 한다. 이러한 헌법적 근거 및 구체적 유형이야말로 이 글의 핵심이다. 구체적 유형으로 범죄행위로 인하여 얻은 증거, 대화당사자간에 비밀리에 녹음한 녹음테이프, 비밀리에 촬영한 영상물 등을 들 수 있다. 요컨대 사인간의 법률관계도 기본권의 효력을 당연히 인정하여 위법수집증거 배제법칙의 적용범위 속으로 끌어들이는 것이다. 즉 사인이 수집한 증거도 범죄행위 등과 같은 불법한 방법에 의하거나 혹은 상대방 몰래 비밀리에 수집함으로써 기본권의 본질적 침해를 수반하는 것은 기본권의 대사인적 효력에 의하여 증거에서 배제하자는 입장이다. 이렇게 하는 것이 적법절차 이념과 헌법상의 기본권보장에 철저한 것이 된다. 결국 이 글의 초점은 사인간의 법률관계에도 위법수집증거배제법칙을 적용하여 기본권보장에 철저를 기하자는 것이다.

엘리엇 문학의 대중문화적 요소 - 『투사 스위니』를 중심으로

한국T.S.엘리엇학회 2008 T.S. 엘리엇 연구 Vol.2008 No.1

<P>T. S. Eliot shows interest in the popular writers such as Wilkie Collins and Charles Dickens as well as in the classical writers. He employs the elements of popular culture, including mystery thriller techniques and jazz rhythm so that religious themes can survive in the secular plays. However, only a few critics have written on this aspect, and the subject of popular culture and its relation to this work deserve more attention.</P><P> This study aims to analyze T. S. Eliot"s Sweeney Agonistes by discovering the elements of popular culture such as the techniques of the detective novel, jazz rhythm, knocks, and the ringing of the bell which play an important role in the work both as a dramatic device and a theme with religious and secular connotations.</P><P> Eliot took a significant step towards reviving religious drama in the secular theater by using popular elements. for him such a revival was a matter of great cultural significance. In fact, they are devices not only to explain his Christian ideas but also to illuminate the thematic pattern of his later plays. He makes symbolic use of elements inherent in popular culture, which itself as a genre may provide only the cheapest entertainment and are seemingly empty of any serious purpose. But he did not employ them merely to entertain his audience, but managed to convey significant religious meaning through them.</P>

엘리엇 문학의 대중문화적 요소: 『투사 스위니』를 중심으로

최영승 한국T.S.엘리엇학회 2008 T.S. 엘리엇 연구 Vol.18 No.1

T. S. Eliot shows interest in the popular writers such as Wilkie Collins and Charles Dickens as well as in the classical writers. He employs the elements of popular culture, including mystery thriller techniques and jazz rhythm so that religious themes can survive in the secular plays. However, only a few critics have written on this aspect, and the subject of popular culture and its relation to this work deserve more attention. This study aims to analyze T. S. Eliot's Sweeney Agonistes by discovering the elements of popular culture such as the techniques of the detective novel, jazz rhythm, knocks, and the ringing of the bell which play an important role in the work both as a dramatic device and a theme with religious and secular connotations. Eliot took a significant step towards reviving religious drama in the secular theater by using popular elements. For him such a revival was a matter of great cultural significance. In fact, they are devices not only to explain his Christian ideas but also to illuminate the thematic pattern of his later plays. He makes symbolic use of elements inherent in popular culture, which itself as a genre may provide only the cheapest entertainment and are seemingly empty of any serious purpose. But he did not employ them merely to entertain his audience, but managed to convey significant religious meaning through them.

Cu-5% Sn 합금의 주조조직에 (鑄造組職) 미치는 도형재의 (塗型材) 영향에 관한 연구

최영승,최창옥 ( Young Sung Choi,Chang Ock Choi ) 한국주조공학회 1985 한국주조공학회지 Vol.5 No.3

This study has been carried out to examine into wettability of Cu-5%Sn alloy in AL₂O₃, MgO, SiO₂and graphite, respectively and investigated into the change in macrostructure of Cu-5%Sn alloy according to kind and mixing rate of mold-coating. The results obtained from the experiment are summerized as follows; 1. Cu Cu-5%Sn alloy, wettabilities of Al₂O₃and MgO were good, on the other hand, wettabilities of SiO₂and graphite were bad. 2. The fine equiaxed zone was created because of the role of Al₂O₃and MgO as preferential nucleation sites. 3. Notwithstanding change of mixing rate of SiO₂in mold coating the equixed zone was not created. 4. The area of equiaxed zone was varied according to mixing rate in the case of using Al₂O₃and MgO in mold-coating.

예이츠(W. B. Yeats)의 시(時)에서의 신화(神話)

최영승 동아대학교 인문과학대학 인문과학연구소 1994 인문과학연구 Vol.- No.-

W. B. Yeats is concerned with the relationship between myth and its poetic expression. And some poems of his are perhaps based on the mythology. In this respect this thesis aims to study his views on mythology and its poetic relations with special reference to his poems 'Leda and the Swan,' 'The Second Coming,' 'The Crazed Moon' and so forth. There is a direct relation between yeats s calling upon the hidden Ireland to come forth, by myth and ritual ; and his effort to define himself as a poet. He has already made a myth by which the poet might live. He thinks that his poetry is almost all a flight into faeryland from the real world, and he promises himself that he will write poetry of insight and knowledge in his future. In addition, Yeats s mind is peopled by symbols drawn from mythology and history. The mythology most congenial to him is Celtic, but the Greek myth is also very important to him. His great literary symbols have almost all been common things. He draws his symbols from the world of nature, that same natural world glorified by the romantics. The rose and the moon are incorrigible symbols in his poetry ; the rose is sometimes with equally symbolic corss, it generally symbolizes love, the heart's desire. In 'The Secret Rose' it evokes the poet's Muse, guardians of ideal forms and in that respect the object of sacrifice and worship. And the moon is closely related to the cyclic history of human civilization in his moon poems. Therefore Yeats makes use of the mythological symbols and rituals to express the change of human civilization with much success in his poetry.

앤 섹스턴(Anne Sexton)의 자살과 바다 이미지

최영승 동아대학교 인문과학대학 영어영문학과 1994 동아영어영문학 Vol.10 No.-

Anne Sexton's death is such a compelling biographical fact that it is tempting to consider her poetry as a window into human self-destruction. Her poems indicate that she viewed death as the preliminary stage for the eternal life. In the interim between her first suicide attempt and her final and successful one, she wrote at least twenty poems primarity dedicated to explaining what it feels like to want, or need, to die. These poems translate into understandable idiom the language of the suicide. Especially Anne Sexton had prepared and intended The Awful Rowing Toward God as a posthumous publication. A year before she died she told an interviewer that she had written the first drafts of these poems in two and a half weeks, that she would continue to polish them, but that she would allow publication only after her death. The image of the sea pervades this collection of poems, and it soon becomes obvious that this metaphorical sea is the carrier for one of the most profound and pervasive ideas of death and creation. For Sexton personally the sea is excape and renewal, and it is both a danger and life-support system. In most of her poetry it is also the setting for death and life. In general death is always and in every case fearful and terrifying. Sexton's fina1 work is contrary evidence. Her views on death would be an exhilaration. For Sexton suicide would be a positive judgment of the worth of life. Her suicide can be seen as grounded in magnanimity, as the result of ardent curiosity, the self-chosen final basis of a structure of life and art now safisfactorily completed.